Collated Contents of the Big Year’s Bests (2017 Stories, with Links!)

Last year, I collated and linked to the webzine stories picked by Clarke, Dozois, Horton, and Strahan for their annuals. This year, I’ll collate all the selections. (I’ll also note whether I’ve read them and, if so, whether they got an honorable mention, a recommendation, or were recommendations which made my Web’s Best Science Fiction or Web’s Best Fantasy.) So check back as the editors make their announcements and I continue to update this post.

On December 15, Jonathan Strahan announced the contents of The Best Science Fiction & Fantasy Volume 12. (Thanks to dolphintornsea at the F&SF forums.)

One Annual: Strahan

  • “The Mocking Tower”, Daniel Abraham (The Book of Swords) [unread]
  • “Don’t Press Charges and I Won’t Sue”, Charlie Jane Anders (Boston Review) [unread]
  • Probably Still the Chosen One”, Kelly Barnhill (Lightspeed) [honorable mention]
  • “My English Name”, R. S. Benedict (The Magazine of Fantasy & Science Fiction) [unread]
  • “Zen and the Art of Starship Maintenance”, Tobias Buckell (Cosmic Powers) [unread]
  • Though She Be But Little”, C.S.E. Cooney (Uncanny) [Web’s Best Fantasy]
  • “The Moon is Not a Battlefield”, Indrapramit Das (Infinity Wars) [read]
  • “The Hermit of Houston”, Samuel R. Delany (The Magazine of Fantasy & Science Fiction) [read]
  • “The Discrete Charm of the Turing Machine”, Greg Egan (Asimov’s Science Fiction) [unread]
  • Crispin’s Model”, Max Gladstone (Tor.com) [honorable mention]
  • Come See the Living Dryad”, Theodora Goss (Tor.com) [recommended]
  • “Bring Your Own Spoon”, Saad Z. Hossain (The Djinn Falls in Love) [unread]
  • “Babylon”, Dave Hutchison, 2084 [unread]
  • The Faerie Tree”, Kathleen Kayembe (Lightspeed) [honorable mention]
  • “Fairy Tale of Wood Street”, Caitlin R Kiernan (Sirenia Digest) [unread]
  • The Worshipful Society of Glovers”, Mary Robinette Kowal (Uncanny) [read]
  • “An Evening with Severyn Grimes”, Rich Larson (Asimov’s Science Fiction) [unread]
  • “The Chameleon’s Gloves”, Yoon Ha Lee (Cosmic Powers) [unread]
  • “The Smoke of Gold is Glory”, Scott Lynch (The Book of Swords) [unread]
  • “Sidewalks”, Maureen McHugh (Omni) [unread]
  • Concessions”, Khaalidah Muhammad-Ali (Strange Horizons) [read]
  • The Martian Obelisk”, Linda Nagata (Tor.com) [Web’s Best Science Fiction]
  • The Secret Life of Bots”, Suzanne Palmer (Clarkesworld) [read]
  • A Series of Steaks”, Vina Jie-Min Prasad (Clarkesworld) [Web’s Best Science Fiction]
  • “Belladonna Nights”, Alastair Reynolds (The Weight of Words) [unread]
  • “Eminence”, Karl Schroeder (Chasing Shadows) [unread]
  • The Lamentation of their Women”, Kai Ashante Wilson (Tor.com) [read]
  • “Confessions of a Con Girl”, Nick Wolven (Asimov’s Science Fiction) [unread]
  • Carnival Nine”, Caroline M. Yoachim (Beneath Ceaseless Skies) [read]
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Other 2017 Recommendations

The only things eligible for the Web’s Best science fiction and fantasy lists were, naturally, those science fiction and fantasy pieces first published on the generally accessible web. That doesn’t cover all the 2017 (or so) short fiction I read and enjoyed, though, and I wanted to round those up. Some would have made the “Best of 2017” and some wouldn’t but they’re all at least the “Very Good of 2017.”

Two excellent stories I read which were billed as fantasy but struck me as “mainstream with a speculative sensibility” were “The Living Dryad” by Theodora Goss (Tor.com, March 9, 2017 – as science fictional as it was fantastic, incidentally) and “Claire Weinraub’s Top Five Sea Monster Stories (For Allie)” by Evan Berkow (Flash Fiction Online, October 2017).

Take Us To Your Chief” by Drew Hayden Taylor (reprinted in the January 30, 2017 Strange Horizons) was also excellent and even SF, but was originally from Take Us to Your Chief and Other Stories (2016).

Finally, I did twenty-one reviews for Tangent this year (and another in 2016 of a 2017 anthology) and twelve were not of webzines. The stories I recommended from those were:

  • “The Catastrophe of Cities” by Lisa Goldstein (Asimov’s, January/February 2017)
  • “Command and Control” by David D. Levine (Infinity Wars, September 2017)
  • “Down and Out” by Ken Wharton (Science Fiction by Scientists, January 2017; reprinted in Compelling #4, December 2016/January 2017)
  • “Fatherbond” by Tom Purdom (Asimov’s, January/February 2017)
  • “The Gatherer of Sorrows” by J. M. Sidorova (Science Fiction by Scientists, January 2017)
  • “Heavies” by Rich Larson (Infinity Wars, September 2017)
  • “Hollywood Squid” by Oliver Buckram (F&SF, September/October 2017)
  • “In Everlasting Wisdom” by Aliette de Bodard (Infinity Wars, September 2017)
  • “Pieces of Ourselves” by Robert R. Chase (Asimov’s, January/February 2017)
  • “The Speed of Belief” by Robert Reed (Asimov’s, January/February 2017)
  • “Starlight Express” by Michael Swanwick (F&SF, September/October 2017)
  • “Sunflower Junction” by Simon Avery (Black Static #57, March/April 2017)
  • “The Transmuted Child” by Michael Reid (Interzone #268, January/February 2017)
  • “Tree With Chalicotheres” by Vicki Saunders (Cosmic Roots and Eldritch Shores, July 2017)
  • “Weather Girl” by E. J. Swift (Infinity Wars, September 2017)
  • “ZeroS” by Peter Watts (Infinity Wars, September 2017)

Web’s Best Fantasy #1 (2017 Stories)

Web’s Best Fantasy #1 (2017 Stories)

Introduction

As with Web’s Best Science Fiction, Web’s Best Fantasy is a 70,000 word “virtual anthology” selected from the fifteen webzines I’ve covered throughout the year, with the contents selected solely for their quality, allowing that some consideration is paid to having variety in the reading experience. The contents were sequenced as best I could with the same concern in mind.

Enjoy!

Contents

Remote Presence * Susan Palwick
Lightspeed #83, April 2017

Though She Be But Little * C. S. E. Cooney
Uncanny #18, September/October 2017

When We Go * Evan Dicken
Beneath Ceaseless Skies #223, April 13, 2017

The Black Clover Equation * Zach Shephard
Flash Fiction Online, April 2017

An Unexpected Boon * S. B. Divya
Apex #102, November 2017

Crossing the Threshold * Pat Murphy
Lightspeed #85, June 2017

The Dark Birds * Ursula Vernon
Apex #92, January 2017

The Garbage Doll * Jessica Amanda Salmonson
Nightmare #53, February 2017

The Dead Father Cookbook * Ashley Blooms
Strange Horizons, July 17, 2017

Marking the Witch * Lina Rather
Flash Fiction Online, February 2017

The Şiret Mask * Marie Brennan
Beneath Ceaseless Skies #238, November 9, 2017

The Library of Lost Things * Matthew Bright
Tor.com, August 23, 2017

The West Topeka Triangle * Jeremiah Tolbert
Lightspeed #80, January 2017

Web’s Best Science Fiction #1 (2017 Stories)

Web’s Best Science Fiction #1 (2017 Stories)

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Introduction

Web’s Best Science Fiction #1 is a “virtual anthology” of 70,000 words of the best science fiction the professional webzines published in 2017*. Web’s Best Fantasy will cover the fantasy stories. The stories for both “volumes” were chosen from fifteen markets: Apex Magazine, Beneath Ceaseless Skies, Clarkesworld Magazine, Compelling Science Fiction, Diabolical Plots, Fantastic Stories of the Imagination, Flash Fiction Online, Grievous Angel, Lightspeed, Nature, Nightmare, Strange Horizons, Terraform, Tor.com, and Uncanny**.

When Gardner Dozois took over the editorship of Best Science Fiction Stories of the Year from Lester del Rey with the Sixth Annual Collection, he wrote an introduction to that volume which said “Best” volumes “should really be called ‘Gardner Dozois Picks the Stories He Liked Best This Year’ or ‘Terry Carr Really Enjoyed These Stories,’ or some such.” He went on to say that his principles include selecting “only those stories that honestly and forcibly struck me as being the best published during that year, with no consideration for log-rolling, friendship, fashion, politics, or any other kind of outside influence.” Similarly, these are the stories I liked best this year. I liked them for their science fictional qualities and tried to separate those as much as I could from any other consideration beyond that of attempting to create an actual reading experience with this virtual anthology. The main significance of that is that having variety also plays a small role in the selection process. For instance, I would not be likely to include two stories from the same author or too many stories with strikingly similar elements. In addition to the selection, the sequencing of the stories also aims to produce a good and varied reading experience if the reader chooses to read straight through.

While I would have liked to have found more great upbeat, science-focused, and/or space-based stories than I did, I think these stories (even at their darkest and loosest) show that the state of the art in the upper echelon of Sturgeon’s Law is good. I hope folks have enjoyed or will enjoy these as much as I did.

 Notes

* Most of the title of this “book” is a play on the title of Donald Wollheim and Terry Carr’s World’s Best Science Fiction series of annuals from 1965-71, along with Carr’s numbering practice from his own subsequent The Best Science Fiction of the Year series (though he didn’t number the first volume). The length is a homage to Isaac Asimov’s ideal length for a book, as explained in the introduction to his 70,000 word essay collection, Science, Numbers, and I. Akin to a “fiscal year,” this “fictional year” covers January 1st-December 10th. (The first ten days produced twenty-four stories and the remaining three weeks should produce fifteen at most. Those later stories will be considered for #2.)

** For clarity, while fifteen markets were covered, only eleven are represented in the Web’s Bests. Among the most significant happenings in the 2017 webzine market: Compelling Science Fiction became SFWA-qualified but dropped from bimonthly to biannual at the end of this year; Fantastic Stories of the Imagination died at the beginning of the year; Grievous Angel became SFWA-qualified; Terraform disappeared for awhile in the middle of the year but returned as an SFWA-qualified market; Tor.com has been faltering near the end of the year. The rest of the market was relatively stable.

Contents

Uncanny Valley * Greg Egan
Tor.com, August 9, 2017

Little /^^^\&- * Eric Schwitzgebel
Clarkesworld #132, September 2017

Rising Star * Stephen Graham Jones
Uncanny #15, March/April 2017

Tav * Dustin Kennedy
Compelling #5, February/March 2017

Seven Permutations of My Daughter * Lina Rather
Lightspeed #83, April 2017

Cease and Desist * Tyler Young
Nature, January 18, 2017

Sweetlings * Lucy Taylor
Tor.com, May 3, 2017

Legale * Vernor Vinge
Nature, August 9, 2017

Penelope Waits * Dennis Danvers
Apex #101, October 2017

Fool’s Cap * Andy Dudak
Clarkesworld #129, June 2017

This Is for You * Bruce McAllister
Lightspeed #84, May 2017

The Martian Obelisk * Linda Nagata
Tor.com, July 19, 2017

A Series of Steaks * Vina Jie-Min Prasad
Clarkesworld #124, January 2017

Review: F&SF, January/February 2018

 

The Magazine of Fantasy & Science Fiction, January/February 2018

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(On sale January 2, 2018)

“Widdam” by Vandana Singh (novelette)
“Aurelia” by Lisa Mason (short story)
“Neanderthals” by Gardner Dozois (short story)
“Jewel of the Heart” by Matthew Hughes (novella)
“A List of Forty-Nine Lies” by Steven Fisher (short story)
“An Equation of State” by Robert Reed (short story)
“Galatea in Utopia” by Nick Wolven (novelette)
Plumage from Pegasus: “Toy Sorry” by Paul di Filippo (short story)
“The Equationist” by J. D. Moyer (short story)
“A Feather in Her Cap” by Mary Robinette Kowal (short story)
“The Donner Party” by Dale Bailey (novelette)

F&SF begins the year with a generally solid, workmanlike issue in which most people will find something to like (and probably something to dislike). While I found only the Wolven to be particularly striking (with an honorable mention to the Fisher), the Singh, Mason, Moyer, and Bailey have powerful aspects and most of the others also have their points. Seven of the tales are some sort of SF and four are not (with a couple of the latter being horror).

“Widdam” by Vandana Singh (novelette)

In the first, third, and fifth sections of this dense novelette we learn how Dinesh views “the Monster, the World-Destroying World Machine, the WDWM. Widdam,” as he’s named the emergent socio-economic system that rules all. The most notable manifestation of this, besides the absence of winter due to climate change, is the development of “Saurs” and other “sentient megamachines” who are digging up the ocean, changing the Arctic, and even reshaping the Moon in pursuit of resources and profits for their corporate masters. Some people are fighting back and have enabled some of these megamachines to go rogue, with varying results. In contrast to the Indian Dinesh’s extremely negative viewpoint, the story shifts briefly to a second section focusing on another “Indian,” the Native American Val and her interaction with one of these rogues. In the fourth (and oddly melodramatic and implausible) section, we meet Jan, the son of Carl Johansson, who was the Swedish roboticist who made the sentient megamachine breakthrough and then fell off the map, and we learn what happened with him. All this serves to paint a picture of our vast “autofac” and our possibilities of dealing with it.

However accurate Dinesh’s perspective may be, in aesthetic terms I was initially put off by its unrelenting negativity. However, the story grew on me and became quite interesting, especially in Val’s much more varied and less pessimistic section. Ultimately, the story didn’t have enough of a plot or drama (except in its largest “We’re all gonna die!” sense) to work for me, but it definitely had its points of interest.

“Aurelia” by Lisa Mason (short story)

Robert is a lawyer who receives a very strange client one day. They fall in love and get married and life is strange but wonderful until the strangeness grows and bad things happen. But, after Robert gets a divorce, worse is yet to come.

If you read and enjoyed “Riddle” by the same author in the September/October issue, you’ll probably enjoy this similar neo-gothic tale with a very unusually conceived femme monstrueuse; if not, not. This one leaves me with the same slightly nauseous feeling (which some people may go for). I also have a problem with the uneasy, implausible mixture of the mundane and weird worlds and the minimization of the latter by the former: incurious cops and medical examiners, people seeing plainly “impossible” things and writing it off as another person’s insanity, etc.

“Neanderthals” by Gardner Dozois (short story)

Using the avowedly very familiar gimmick of changewars, this short (c.2200 word) story describes a time traveling cyborg assassin landing in a place and time in which neanderthals have either been transported in from the past or recreated by geneticists. Two of these guard the assassin’s target: a drug dealer who works for the Other Side. The job goes oddly and the story tells us a bit about human nature.

If the neanderthal felt as he did, I’m not sure why he didn’t try to recruit his fellow neanderthal rather than biding his time until a human assassin happened to show up, but it does allow the two to have their conversation. And that’s fundamentally all the story is, but it has a somewhat neo-noir tone and style, with SF concepts flying around, and an implicit deep backstory.

“Jewel of the Heart” by Matthew Hughes (novella)

In this third installment of Baldemar’s adventures, that wizard’s henchman is sent on a quest for the “Jewel of the Heart” by a magic Helm at about the same time a pair of wizards are attacking his master. He and the Helm come to an agreement about handling the conflict (the Helm likes him) and he heads off into a fantasy metafiction adventure which has scenes reminiscent of Jack and the Beanstalk with a hint of the Wizard of Oz, a Wild West scene, and even a biker scene. All that is prelude to a gray mist scene which resolves into a new world and a new adventure (where “dream” and “story” are contrasted) and around we go before finally reaching a conclusion which partakes of the Ouroboros and the Cheshire Cat.

People who like fantasy stories which are self-consciously, explicitly about Story and who don’t mind picaresque fantasias of plots (driven mostly by the protagonist’s convenient “instinct”) may enjoy this tale which seems stylistically sound and has moments of weirdness and humor. However, at one point the protagonist

…itemized on his gloved fingers: “A giant’s heart, a jewel, a key, and things that come in threes — it’s all mysteries and fables. I’ve had enough.”

and, long before the more than 22,000 words are up, some readers may agree with him.

“A List of Forty-Nine Lies” by Steven Fisher (short story)

When you strip this tiny 525-word story of its telling, it’s “my wife and kid were killed by a dictatorship which has taken over the planet and I’m preparing to detonate a bomb to signal the Revolt.” The telling might even be dismissed as a gimmick. I don’t think it should be, though, as it quickly, effectively, and powerfully evokes pain, paranoia, and desperation. That’s not quite enough to fully recommend it, but it’s certainly noteworthy.

“An Equation of State” by Robert Reed (short story)

An alien diplomat and army arrive in a system significant only as a battlefield but, when the battle doesn’t seem to occur, the diplomat successfully lobbies for a side-mission and travels to a world in the system to investigate the natives. After being a horse in the Civil War and then a rat and other creatures (including hairless apes) in other wars, it’s achieved a strange relationship with those natives. When its superiors decide that, after two centuries, its time is up, it does not act according to plan.

It’s sort of remarkable how much this story feels like a darker, more bilious version of “Jewel of the Heart” in that it has a sort of surreal, meandering progress from one thing to another. It moves with much greater speed and force, however. This meditation on strife may have its fans.

“Galatea in Utopia” by Nick Wolven (novelette)

Rick lives in a world of “chambers” where, given prior implants and mods, almost everyone’s bodies can be reshaped into any gender or race they want. Rick is an inveterate changer and, before a night on the town, decides to go 100% female sex bomb. This has interesting results when s/he meets Alan, who informs Rick he’s a “permanent”: a person who had a condition in childhood which has prevented him from ever changing at all aside from the effects of aging. What follows is a whirlwind tour through their highly charged and difficult sexual relationship, with revelations in store.

This story may have something to offend every one in these days of offensensitivity. On the one hand, people at odds with today’s social preoccupations may take a dislike to this and, on the other, people looking to be outraged might find traces of old stereotypes. But, really, this is a story that shouldn’t be all that shocking, in that it reads a lot like Varley’s sex change future from the 1970s or even some of Heinlein’s experiments. It’s a very active story which, while lacking a crime/spy/etc.-type plot of interlocking logical pieces, does have a tight flow of action based on emotional beats. The protagonist has a clear and funny narrative voice. And the story is thought-provoking. It does have what might be seen as flaws (what would probably be anachronistic references to baseball cards and other pop culture phenomena; a lack of extrapolation – seems like a world where everyone can become everyone else would be ripe for crime/spy/etc. stories even more than relationship stories but there’s no hint of these issues) but none of the problems detract significantly from the story’s main interests. I recommend it.

Plumage from Pegasus: “Toy Sorry” by Paul di Filippo (short story)

In this long flash piece, some kids in 2036 receive interactive books complete with AI author dolls and learn what makes authors tick. Extremely “meta” but readable.

“The Equationist” by J. D. Moyer (short story)

This minimally science fictional story is the biography of a math savant who sees the life patterns of people and societies as being analogous to mathematical functions but has trouble identifying his own and deciding whether and how to change those of others.

This story, despite what a synopsis might lead one to expect, is initially very quirky and funny and creates a sympathy with the protagonist. Unfortunately, towards the end, it started to lose me, being a little too leisurely and extended when the basic ideas had already been established and the humor had been humored. The declining curve of engagement eventually rose again, but without all the early magic. However, it may constantly ascend for some.

“A Feather in Her Cap” by Mary Robinette Kowal (short story)

Biantera is a down-on-her-luck ex-heiress who’s taken up hat-making for a career, supplementing that income with assassination. When a client learns her identity and refuses to pay, she recruits a thief-friend to help with her revenge. Turns out sneaking into a rich guy’s house and trying to rob and poison him is even more exciting than they’d imagined.

This minimally fantastic story is adequate though underwhelming, given that the protagonist isn’t particularly engaging and it’s pretty pat with a natural, but not rousing, end. I also don’t follow the logic of her plan, which is to only sicken her adversary. If his knowing her identity is a problem in addition to his lack of payment and if he might seek re-revenge for her revenge, wouldn’t it be wiser to plan to kill him after robbing him? Plus there seems to be a contradiction between wanting and not wanting him to know who visited him. Be that as it may, this was entertaining enough.

“The Donner Party” by Dale Bailey (novelette)

Another angle on the widdam. Mrs. Breen is a social climber in an alternate Victorian England where the eating of “ensouled flesh” (cannibalism) is a treasured right and rite of the titled class and their friends. After making friends with the powerful Lady Donner and then rashly making an enemy of her after a perceived slight, we learn just how far Mrs. Breen and her husband are willing to go to advance themselves.

A relatively trivial issue is that a section of the story begins “The Breens began the Season that followed with the highest of hopes.¶They were borne out.” Yet what follows is anything but their hopes being borne out. Far more importantly, this story attempts a Victorian English style which seems awkward and sluggish. In more ambiguous terms, while the outre social habit is handled in a very believable way, generally, I have to wonder if there aren’t at least some laws regarding it (or at least a mention that some are immune to them) and I have to wonder when the practice originated because the religious conversation about “the body of Christ” would seem to give the practice even more social weight than it has (which is a lot). I also have to wonder how the finale was prepared so quickly. Aside from those quibbles, it is remarkable how well the literal and metaphorical parts of this “modest proposal” fit. Compared to so many stories in which the literal foreground of a story is nonsensical or contradictory because it’s driven by thematic concerns, this story’s literal and symbolic elements dovetail nicely. This story isn’t to my taste but some may savor it.

Review: Clarkesworld #135

Clarkesworld #135, December 2017

Cover of Clarkesworld #135

“The Rains on Mars” by Natalia Theodoridou (science fiction short story)
“Crossing LaSalle” by Lettie Prell (science fiction short story)
“Falling in Love with Martians and Machines” by Josh Pearce (science fiction novelette)
“Darkness, Our Mother” by Eleanna Castroianni (science fiction short story)
“Landmark” by Cassandra Khaw (science fiction short story)

I’d had it in my head that Clarkesworld was one of my favorite zines or at least in the upper half but this has been a weird year. A handful of stories have been superb to me and some of those are among the year’s best but the vast majority have been anything but. Alas, this issue is more of the vast majority, though your mileage may vary. In this particular issue, every single story is very dark (and not in the fun way), most are heavily overwritten, and most are fantasy or mainstream in SF’s clothing.

“The Rains on Mars” by Natalia Theodoridou (science fiction short story)

A miner whose brother was killed due to the miner’s debts has become an insane wreck and gotten another mining job far away to try to escape his past. “Far away” is “Mars,” which is all the SF you’re gonna get out of this. Might as well be mining in Arizona. In that “faux SF” regard, it is similar to “The Nightingales in Platres” by the same author in an earlier issue of the same magazine.

This story is so monotonously mawkish and the protagonist is such a passive puddle of nothing and the story is so simple that there’s really nothing to get out of this.

I’m to be sent back to Earth. On my own dime, too. Only fair. To do what? Ray can’t answer that, and neither can I, because who knows, and who cares.

Indeed.

“Crossing LaSalle” by Lettie Prell (science fiction short story)

This is a border crossing story (equal parts Chicago, Korea, and Styx) where the protagonist makes her way through the “Love Life”rs (who hate those they see as anti-life) to the “Newbody” folks (who seem to be personalities uploaded into robots). She delivers a big revelation at the end.

This is an oddly confusing story considering that the gist is easy to get because it’s so conventional. The twist at the end actually makes the story worse, leading to a kind of emotionally and practically vacuous conclusion. This tale is also a lot like the author’s earlier “The Three Lives of Sonata James” in a different magazine, except not as good.

“Falling in Love with Martians and Machines” by Josh Pearce (science fiction novelette)

The protagonist of this story reminds me of Sondra Locke’s Lynn Halsey-Taylor from Every Which Way but Loose. And instead of good-hearted brawler Philo Beddoe, you get a version of her “pimp”ly guy who is a cyborg racer as the male lead. And instead of any efforts at humor, you get more malaise. But the pointlessness of the plot remains. Basically, there’s a war of some kind on and the world is made up of military cyborgs and racer cyborgs who, for whatever reason, couldn’t cut it as military. So this pseudo-hooker with a heart of stone and her guy du jour are cruising around making money from races so they can go to more races and make more money, with loftier goals someday. And then the Martian ladies arrive and things take a right turn, Clyde.

There’s no one to like here and no plot to get involved in and the milieu and tech are so obliquely revealed and inexplicably motivated as to be meaningless in any literal sense. At least the word-by-word prose is fairly direct (which is true of only this and “Crossing LaSalle” in this issue).

(I can’t find the original Neo Tokyo/“Running Man” anime of a futuristic, nihilistic car race but it would be better to watch it (adapted here into the video to a song) than to read this. To be fair, only a key scene and some of the theme in this story seem almost identical to the animation but the anime is much better done and more interesting. And shorter.)

“Darkness, Our Mother” by Eleanna Castroianni (science fiction short story)

A woman lays a trap for a man in a labyrinth but things don’t go as planned.

I don’t know which is less likely: that Minoans had starflight or that Minoan society was accidentally recreated on an alien world, but those seem to be the options. The landscape (“planet”) of this tale is called “Cemar,” the Labyrinth is called the “Womb” and is a relic of a spaceship, and the casting of magic spells is described as “I have woven a thread of hypercomplex numbers that can copy the prince’s likeness…”) which are the only reasons I can see for this being in Clarkesworld rather than BCS. It’s ultimately a rhapsody on vengeance and is about as appealing as that sounds. No Aeschylean ascension to a concept of the Eumenides here.

“Landmark” by Cassandra Khaw (science fiction short story)

This uses some confusingly presented form of proxy bodies and space travel as metaphors for depressing romantic relationships in a painfully overwritten 1600 words which feel like 16,000 but would only require 160 if not for the logorrhea.

“But—”

The word hangs between us, a dead satellite in the nothing, its belly gravid with stillborn dialogue. I want to ask you what I’d missed, the minutiae of simply existing, each day in sequence, no variegation in their consumption. Already, I’ve forgotten if it’s been a week, a day, a year since we’ve spoken, if this conversation is prior to the last, if it is years after. The cartography of your features remain unchanged. It cannot have been that long.