Review: Nightmare #70

Nightmare #70, July 2018

Original Fiction:

  • “Ways to Wake” by Alison Littlewood (short story)
  • “Kylie Land” by Caspian Gray (fantasy short story)

This Nightmare‘s original fiction features two stories which have strong elements but start better than they finish and don’t seem to fully fit in a speculative dark/horror magazine.

Ways to Wake” presents us with an old man in a retirement home who is disturbed by the resident cat who knows “whenever anyone’s going.” The man starts feeling like the cat may be a killer or a witch’s familiar or any number of other things and contemplates harming it and fellow residents including a Nurse Ratched character. While initially interesting and effectively creepy and insane-feeling, it then wanders around and has one of those “non-endings.” There’s actually nothing necessarily speculative to it, either.

Kylie Land” describes the meeting between Kyle Eland, a strange outcast, and the new outcast to the school, Ramage, who is a semi-retired mind reader. Not daunted by the fact that Ramage warns him it will be painful and by the fact that Ramage has previously “erased” a guy, Kyle insists on being read in an effort to find out what’s wrong with him. Turns out there’s nothing really wrong with him… his father, on the other hand… The story ends too easily and, despite Kyle’s long-standing trauma, doesn’t really meet the definition of “horror” or even especially “dark fantasy” to me but I thought both protagonists were well-crafted oddballs and the quirky style was appealing. While not entirely satisfying, it was an enjoyable read.


Review: Nightmare #69

Nightmare #69, June 2018

Original Fiction:

  • “Leviathan Sings to Me in the Deep” by Nibedita Sen (dark fantasy short story)
  • “Red Rain” by Adam-Troy Castro (absurdist gore short story)

Did you ever read a story written entirely in second person questions? Did it really annoy you? Would you read it if you didn’t have to? Because “Red Rain” is such a story and involves apparently millions of people falling out of the sky to their deaths while “you” get drenched in gore as “you” try to duck and cover. This is conveyed by some inexplicable entity asking “you” a lot of questions which are essentially declarative sentences with an interrogative stuck up front and a question mark stuck on the end. This device and the unaesthetic lack of proportion combined to completely dissociate me from any effect this story might have had. I’m sorry, but I’d rather read John Shirley’s Three-Ring Psychus or something.

(Incidentally, one gets the sense these people are falling from great heights at great speeds but one person hits a power line and bounces off before landing and getting shredded when, even in a fantasy, he ought to have just gotten cut right in half—with guts spewing in both directions, presumably. And why stop with just one line? He could have gone through several like an egg in a slicer. Maybe there was some sense of limit or proportion to the story after all?)

On the other hand, for the second issue in a row, Nightmare has a really good story. “Leviathan Sings to Me in the Deep” tells the tale of a captain of a whaling vessel on a world that is and is not of our world and history. On this voyage, a scientist is busy trying to create a whale communicator of sorts, using parts of whales the ship’s crew have killed. Unsurprising but hauntingly effective descents into madness follow.

While there may be a a glitch or two in the narrative voice of the captain as recorded in his plain, direct, but beautifully written log, it is generally solid and his character is well-realized and effective with initially benign aspects growing to altered effect as the story progresses. The plain description of the whaling activities, however normal they may have been, produces a natural darkness before the unnatural darkness even properly begins. The ending contains its message but is relatively subdued rather than overt and, unlike most stories of this sort, is more concerned with empathy and equity than simple vengeance. There is a problem with the narrative device and the ending which does ask for some charitable work on the part of the reader to work around but, otherwise, this story was superbly done and captivating. I’m not one to say “I wish this was a novel” about a story since I think that tends to deprecate it as a story but this was definitely the sort of story that I could settle into and my only real complaint was that it did wrap up quickly.

Book Haul!

Awhile ago, I went to the library book sale. This year’s selection of speculative fiction was not as good as last year’s and, again, I ended up getting proportionally more fantasy and horror than I’d ideally aim for (though it is hard to find science fiction I do want and don’t have—in several cases, in both SF/F/H and other categories, I got replacement copies rather than outright new books). The lack of SF did allow me to devote a little more time to looking through some other subjects. On a general note, there was a good crowd which put a few drops into the county’s bucket.

As I did last year, I’m posting some pics. Click to embiggen (and if your browser auto-resizes and you want to see it full-size you may need to click again or do something else). Continue reading

Review: Nightmare #68

Nightmare #68, May 2018

Original Fiction:

  • “Ally” by Nalo Hopkinson (fantasy short story)
  • “Bride Before You” by Stephanie Malia Morris (horror short story)

In “Ally,” Sally used to be friends with Pete when she was Jack but that change put a strain on their relationship. Nonetheless, she’s at the funeral of Pete’s husband, Iqbal, and Pete wants to go for a drink afterward. He then tells her the true story of his upbringing as a foster-child by an initially evil woman and the initially abusive relationship he and Iqbal had. Then a breakthrough both occurred and occurs.

You might think this is Pete’s story but it’s not: it’s all about Sally, with Pete’s trauma being a vehicle for Sally’s all-important validation. That’s really all that needs to be said but, for a couple of minor points, I don’t know why it was necessary to dump a dozen names on us in an early paragraph when this story has only two characters (or one) and I also don’t see how the fantasy element of this is dark, much less horrific (except in the very background regarding the evil foster-mother and only from her point of view).

Bride Before You,” on the other hand, is very much horror and much more effectively about its narrator. Before the story opens, an upper-class black woman had gone to the conjure woman to find out how to become magically pregnant as part of a plan to get herself out of the “South” of Washington and back to New York but had gotten carried away and produced two children: a beautiful boy and his elder sister… a black spider. Her plan misfired in terms of moving, as well. The narrator spider, who can only creep about in the dark as an outcast, believes in the class-tradition of the eldest marrying first, so takes a dim view of the brother’s fiancees.

This can probably be read in a lot of ways and it’s obviously some extreme sibling rivalry but I can’t help but also think of a rich and poor divide that says, “Don’t ignore me or leave me behind or think you’re better.” The narrator’s speech rings almost perfectly right in the abstract but it could be seen as a problem that a spider that grew up in such a high-falutin’ house would have it unless it has symbolic/thematic purposes. A more serious problem is that the ending seems a little shaky, not in content but in narrative approach, after having such a focused point of view and strong voice. Speaking of that personality, it may just be me because I have a sometimes strange sense of humor but, while this was a very dark and horrific story, a couple of moments seemed almost funny in a demented way. Despite some questions or quibbles, this was a stimulating and fascinating story.

Weekly Webzine Wrap-Up (2018-02-25)

Weekly Webzine Wrap-Up image
Original Fiction:

This week I’m covering two robot stories, two horror stories, and a fantasy.

Rossum” is a short-short which, rather than being about a girl and her robot, is about a robot and its girl. The robots think having a biological sort of playmate is good for a growing robot but they think the budding poet has imprinted a bit too thoroughly. One of several stories that addresses the nice idea of robot learning and maturation but this example was underwhelming. “Tangibles” (2K) should maybe have been called “Botnip” and shows many signs of ESL and a lack of editing but is about a couple trying not to fall out of love, using a robot companion to spice things up (or something) but, when it doesn’t really work and they try adding a second robot who turns out to be a kudzu junkie, the story shifts to the robots’ intangibles. Also underwhelming.

Steps” is about an ugly girl going to a witch to become pretty enough to snare a nobleman and make herself special but she learns other things from the witch. I doubt anyone will be surprised. The longest story of the week, “Story” (7K) is also the most frustrating. It’s too conscious of its own mechanics and has too many unnecessary parts to work cleanly. It’s too prosaic, yet bizarre, so the logical centers are engaged and it makes the brain puzzled more than scared. Most importantly, the protagonist, with his “deets” and his not wanting “to come across as out-and-out superficial” is a simple, brightly colored cartoon. All this serves as a complete antidote to what are a lot of genuinely dark and creepy elements, images, and ideas in a tale of a hitchhiker being picked up by a dead woman with an affinity for telling bizarre stories of rot and death before crashing cars. Readers who aren’t bothered by the things that bothered me may find this an effective spooky tale.

(“Story” is internally self-conscious of its “storyness” by talking about it itself. “Tangibles” is externally self-conscious by being done by the numbers.  “Steps” is both.)

Finally, while not especially noteworthy beyond being more surely and effectively executed than the rest of this week’s tales, “Service” is a good story of a magic church lady whose powers are on the wane and a dapper man who enjoys this, with both being more than they seem. The “charging of spiritual powers” isn’t new, but this is an interesting version.

Expanded Collated Contents of the Year’s Bests (2017 Stories, Links)

By request, this is an expanded edition of Collated Contents of the Big Year’s Bests (2017 Stories, with Links!). That post collates and links to the stories selected by Clarke, Dozois, Horton, and Strahan. This adds Afsharirad, Datlow, Guran, Shearman/Kelly and will add at least Best American SF&F. (As in the other list, I’ve also noted whether I’ve read them and, if so, whether they got an honorable mention, a recommendation, or were recommendations which made my Web’s Best Science Fiction or Web’s Best Fantasy.)

This post will be updated as more editors make their announcements and will continue to be updated if I find links to more stories or wonderful people tell me about them. (See the end of the post for the full ChangeLog/Credits.)

Latest changes: 2018-07-11: Added Year’s Best Dark Fantasy & Horror: 2018, Guran, ed. Thanks to

Four Annuals: Afsharirad, Clarke, Horton, Strahan

Four Annuals: Clarke, Dozois, Horton, Strahan

Three Annuals: Clarke, Dozois, Strahan

Three Annuals: Dozois, Horton,  Strahan

  • Sidewalks”, Maureen McHugh (Omni) [read late]

Two Annuals: Clarke, Dozois

Two Annuals: Clarke, Horton

  • “The Tale of the Alcubierre Horse”, Kathleen Ann Goonan (Extrasolar) [unread]
  • Extracurricular Activities”, Yoon Ha Lee ( [read]
  • ZeroS”, Peter Watts (Infinity Wars) [recommended]

Two Annuals: Dozois, Horton

  • “Winter Timeshare”, Ray Nayler (Asimov’s Science Fiction) [read]
  • “Starlight Express”, Michael Swanwick (F&SF) [recommended]

Two Annuals: Dozois, Strahan

  • “My English Name”, R. S. Benedict (F&SF) [unread]
  • “The Moon is Not a Battlefield”, Indrapramit Das (Infinity Wars) [read]

Two Annuals: Guran, Horton

Two Annuals: Guran, Shearman/Kelly

Two Annuals: Guran, Strahan

Two Annuals: Horton, Strahan

One Annual: The Year’s Best Military & Adventure SF, Volume 4, Afsharirad, ed. [unread unless otherwise noted]

  • “Hope Springs”, Lindsay Buroker (Beyond the Stars)
  • “Lovers”, Tony Daniel (Forged in Blood)
  • “Family Over Blood”, Kacey Ezell (Forged in Blood)
  • “A Man They Didn’t Know”, David Hardy (Rocket’s Red Glare)
  • SWARM“, Sean Patrick Hazlett (Terraform) [read]
  • The Ghost Ship Anastasia”, Rich Larson (Clarkesworld) [recommended]
  • The Snatchers”, Edward McDermott (Analog)
  • “You Can Always Change The Past”, George Nikolopoulos (Galaxy’s Edge)
  • “By The Red Giant’s Light”, Larry Niven (F&SF)
  • “Imperium Imposter”, Jody Lynn Nye (Infinite Stars)
  • “A Hamal In Hollywood”, Martin L. Shoemaker (Rocket’s Red Glare)
  • “Orphans Of Aries”, Brad R. Torgersen (Rocket’s Red Glare)
  • “A Thousand Deaths Through Flesh And Stone”, Brian Trent (F&SF)
  • “Our Sacred Honor”, David Weber (Infinite Stars)

One Annual: The Best Science Fiction of the Year: Volume 3, Clarke, ed.

  • “Shadows of Eternity”, Gregory Benford (Extrasolar) [unread]
  • “In Everlasting Wisdom”, Aliette de Bodard (Infinity Wars) [recommended]
  • “Belly Up”, Maggie Clark (Analog) [unread]
  • “Every Hour of Light and Dark”, Nancy Kress (Omni) [unread]
  • The Last Novelist, or a Dead Lizard in the Yard”, Matthew Kressel ( [recommended]
  • “Meridian”, Karin Lowachee (Where the Stars Rise) [unread]
  • Regarding the Robot Raccoons Attached to the Hull of My Ship”, Khaalidah Muhammad-Ali (Diabolical Plots) [read]
  • Wind Will Rove”, Sarah Pinsker (Asimov’s Science Fiction) [read late]
  • The Speed of Belief”, Robert Reed (Asimov’s Science Fiction) [recommended]
  • “Holdfast”, Alastair Reynolds (Extrasolar) [unread]
  • Focus”, Gord Sellar (Analog) [unread]
  • Shikasta”, Vandana Singh (Visions, Ventures, Escape Velocities) [read late]
  • “A Catalogue of Sunlight at the End of the World”, A.C. Wise (Sunvault) [unread]

One Annual: The Best Horror of the Year, Volume Ten, Datlow, ed. [unread unless otherwise noted]

  • “Liquid Air”, Inna Effress (Nightscript III)
  • “The Starry Crown”, Marc E. Fitch (Horror Library: Volume 6)
  • “Fail-Safe”, Philip Fracassi (Behold the Void)
  • “Shepherd’s Business”, Stephen Gallagher (New Fears)
  • “You Can Stay All Day”, Mira Grant (Nights of the Living Dead)
  • “The Granfalloon”, Orrin Grey (Darker Companions)
  • “West of Matamoros, North of Hell”, Brian Hodge (Dark Screams: Volume Seven)
  • “Better You Believe”, Carole Johnstone (Horror Library: Volume 6)
  • “Lost in the Dark”, John Langan (Haunted Nights)
  • Dark Warm Heart“, Rich Larson ( [read]
  • “Where’s the Harm?”, Rebecca Lloyd (Seven Strange Stories)
  • “There and Back Again”, Carmen Maria Machado (Mixed Up)
  • “Eqalussuaq”, Tim Major (Not One of Us)
  • “Alligator Point”, S. P. Miskowski (Looming Low: Volume I)
  • “Holiday Romance”, Mark Morris (Black Static)
  • “Whatever Comes After Calcutta”, David Erik Nelson (F&SF)
  • “Endoskeletal”, Sarah Read (Black Static)
  • A Human Stain“, Kelly Robson ( [honorable mention]
  • “Furtherest”, Kaaron Warren (Dark Screams: Volume Seven)
  • Harvest Song, Gathering Song“, A. C. Wise (The Dark)
  • “The Stories We Tell about Ghosts”, A. C. Wise (Looming Low: Volume I)

One Annual: The Year’s Best Science Fiction: ThirtyFifth Annual Collection, Dozois, ed.

  • “Mines”, Eleanor Arnason (Infinity Wars) [read]
  • Pan-Humanism: Hope and Pragmatics“, Jessica Barber and Sara Saab (Clarkesworld) [read]
  • “The Dragon That Flew Out of the Sun”, Aliette de Bodard (Cosmic Powers) [unread]
  • The Hunger After You’re Fed“, James S.A. Corey (Wired) [read late]
  • The Martian Job, Jaine Fenn [unread]
  • Nexus“, Michael F. Flynn (Analog) [unread]
  • “The History of the Invasion Told in Five Dogs”, Kelly Jennings (F&SF) [unread]
  • “Whending My Way Back Home”, Bill Johnson (Analog) [honorable mention]
  • “Canoe”, Nancy Kress (Extrasolar) [unread]
  • “Dear Sarah”, Nancy Kress (Infinity Wars) [read]
  • Waiting Out the End of the World in Patty’s Place Cafe“, Naomi Kritzer (Clarkesworld) [read]
  • “There Used to Be Olive Trees”, Rich Larson (F&SF) [unread]
  • “Triceratops”, Ian McHugh (Asimov’s Science Fiction) [unread]
  • “The Influence Machine”, Sean McMullen (Interzone) [unread]
  • Prime Meridian, Silvia Moreno-Garcia [unread]
  • “The Proving Ground”, Alec Nevala-Lee (Analog) [read]
  • Number Thirty-Nine Skink“, Suzanne Palmer (Asimov’s Science Fiction) [unread]
  • “The Residue of Fire”, Robert Reed (Extrasolar) [unread]
  • “Night Passage”, Alastair Reynolds (Infinite Stars) [unread]
  • Vanguard 2.0“, Carter Scholz (Visions, Ventures, Escape Velocities) [read late]
  • Assassins“, Jack Skillingstead and Burt Courtier (Clarkesworld) [read]
  • “Elephant on Table”, Bruce Sterling (Chasing Shadows) [unread]
  • “The Road to the Sea”, Lavie Tidhar (Sunvault) [unread]
  • “Zigeuner”, Harry Turtledove (Asimov’s Science Fiction) [unread]

One Annual: Year’s Best Dark Fantasy & Horror: 2018, Guran, ed. [unread unless otherwise noted]

  • “Sunflower Junction”, Simon Avery (Black Static) [recommended]
  • “Swift to Chase”, Laird Barron (Adam’s Ladder: An Anthology of Dark Science Fiction)
  • Fallow“, Ashley Blooms (Shimmer) [honorable mention]
  • Children of Thorns, Children of Water“, Aliette de Bodard (exclusive for The House of Binding Thorns preorders/Uncanny)
  • “On Highway 18”, Rebecca Campbell (F&SF) [read]
  • “Witch Hazel”, Jeffrey Ford (Haunted Nights)
  • “The Bride in Sea-Green Velvet”, Robin Furth (F&SF)
  • Little Digs“, Lisa L. Hannett (The Dark)
  • The Thule Stowaway“, Maria Dahvana Headley (Uncanny) [honorable mention]
  • “The Eyes Are White and Quiet”, Carole Johnstone (New Fears)
  • Mapping the Interior, Stephen Graham Jones ( Publishing)
  • Don’t Turn on the Lights“, Cassandra Khaw (Nightmare)
  • “The Dinosaur Tourist”, Caitlín R. Kiernan (Sirenia Digest)
  • “Survival Strategies”, Helen Marshall (Black Static)
  • “Everything Beautiful Is Terrifying”, M. Rickert (Shadows and Tall Trees, Vol. 7)
  • Welcome to Your Authentic Indian Experience™“, Rebecca Roanhorse (Apex) [read]
  • “Graverobbing Negress Seeks Employment”, Eden Royce (Fiyah)
  • “Moon Blood-Red, Tide Turning”, Mark Samuels (Terror Tales of Cornwall)
  • The Crow Palace“, Priya Sharma (Black Feathers)
  • “The Swimming Pool Party”, Robert Shearman (Shadows and Tall Trees, Vol. 7)
  • “The Little Mermaid, in Passing”, Angela Slatter (Review of Australian Fiction)
  • Secret Keeper“, Bonnie Jo Stufflebeam (Nightmare)
  • “The Long Fade into Evening”, Steve Rasnic Tem (Darker Companions)
  • “Moon and Memory and Muchness”, Katherine Vaz (Mad Hatters and March Hares)
  • “Exceeding Bitter”, Kaaron Warren (Evil Is a Matter of Perspective)
  • “Succulents”, Conrad Williams (New Fears)

One Annual: The Year’s Best Science Fiction and Fantasy, 2018 Edition, Horton, ed.

One Annual: Year’s Best Weird Fiction: Volume Five, Shearman/Kelly, eds. [unread unless otherwise noted]

  • “Live Through This”, Nadia Bulkin (Looming Low: Volume I)
  • “Flotsam”, Daniel Carpenter (The Shadow Booth)
  • The Narrow Escape of Zipper-Girl“, Adam-Troy Castro (Nightmare) )
  • “The Unwish”, Claire Dean (The Unwish)
  • “Worship Only What She Bleeds”, Kristi DeMeester (Everything That’s Underneath)
  • “The Second Door”, Brian Evenson (Looming Low: Volume I)
  • When Words Change the Molecular Composition of Water“, Jenni Fagan (Somesuch Stories)
  • “The Convexity of Our Youth”, Kurt Fawver (Looming Low: Volume I)
  • Corzo“, Brenna Gomez (Prairie Schooner)
  • “The Mouse Queen”, Camilla Grudova (The Doll’s Alphabet)
  • You Will Always Have Family: A Triptych“, Kathleen Kayembe (Nightmare) [honorable mention]
  • The Anteater“, Joshua King (The Matador Review)
  • “Curb Day”, Rebecca Kuder (Shadows And Tall Trees 7)
  • “The Entertainment Arrives”, Alison Littlewood (Darker Companions)
  • The Rock Eater“, Ben Loory (Taste)
  • Eight Bites“, Carmen Maria Machado (Gulf Coast)
  • “The Way She Is with Strangers”, Helen Marshall (Dark Cities)
  • “The Possession”, Michael Mirolla (The Photographer in Search of Death)
  • “House of Abjection”, David Peak (Nightscript III)
  • “Disappearer”, K. L. Pereira (A Dream Between Two Rivers)
  • Red Hood“, Eric Schaller (Nightmare) [read]
  • “Something About Birds”, Paul Tremblay (Black Feathers)
  • “Take the Way Home That Leads Back to Sullivan Street”, Chavisa Woods (Things to Do When You’re Goth in the Country and Other Stories)

One Annual: The Best Science Fiction & Fantasy Volume 12, Strahan, ed.

  • “The Mocking Tower”, Daniel Abraham (The Book of Swords) [unread]
  • Probably Still the Chosen One”, Kelly Barnhill (Lightspeed) [honorable mention]
  • The Discrete Charm of the Turing Machine”, Greg Egan (Asimov’s Science Fiction) [recommended late]
  • Crispin’s Model”, Max Gladstone ( [honorable mention]
  • Come See the Living Dryad”, Theodora Goss ( [recommended]
  • “Bring Your Own Spoon”, Saad Z. Hossain (The Djinn Falls in Love) [unread]
  • “Babylon”, Dave Hutchison, 2084 [unread]
  • The Faerie Tree”, Kathleen Kayembe (Lightspeed) [honorable mention]
  • “Fairy Tale of Wood Street”, Caitlin R Kiernan (Sirenia Digest) [unread]
  • The Worshipful Society of Glovers”, Mary Robinette Kowal (Uncanny) [read]
  • “The Chameleon’s Gloves”, Yoon Ha Lee (Cosmic Powers) [unread]
  • “The Smoke of Gold is Glory”, Scott Lynch (The Book of Swords) [unread]
  • Concessions”, Khaalidah Muhammad-Ali (Strange Horizons) [read]
  • “Belladonna Nights”, Alastair Reynolds (The Weight of Words) [unread]
  • “Eminence”, Karl Schroeder (Chasing Shadows) [unread]
  • Confessions of a Con Girl”, Nick Wolven (Asimov’s Science Fiction) [read late]
  • Carnival Nine”, Caroline M. Yoachim (Beneath Ceaseless Skies) [read]


  • 2017-12-15: Jonathan Strahan announced the contents of The Best Science Fiction & Fantasy Volume 12. (Thanks to dolphintornsea at the F&SF forums.)
  • 2017-12-16: found and added links to the stories from Boston Review and Omni.
  • 2017-12-24 (updated the 26th): Gardner Dozois announced the contents of The Year’s Best Science Fiction: ThirtyFifth Annual Collection. Thanks to Roger Silverstein for the tip and Lavie Tidhar for posting it for the Facebook-challenged and showing up in the search engine.
  • 2018-01-23: Neil Clarke announced the contents of The Best Science Fiction of the Year: Volume 3.
  • 2018-02-01: added link to Buckell’s “Zen” reprint.
  • 2018-02-07: moved this stuff to the bottom in a Changelog because it was pushing the stories down too far. 😉
  • 2018-02-07: added links to four Asimov’s stories (“Grimes,” “Wind,” “Turing,” “Confessions”). Thanks to RSR.
  • 2018-02-09: added contents of Rich Horton’s The Year’s Best Science Fiction and Fantasy, 2018 Edition. Thanks to dolphintornsea at the F&SF forums for alerting me and to Horton for posting the full contents.
  • 2018-02-10: added neglected link to Fowler’s Asimov’s story. (Thanks to Laura.)
  • 2018-02-14: added link to Watts’ “ZeroS.” (Thanks to Laura, and a belated thanks to Roger Silverstein, whose tip I missed.)
  • 2018-02-16: added link to Samatar’s “Account.” (Thanks to Laura.)
  • 2018-02-22: Added Datlow’s table of contents for The Best Horror of the Year, Volume Ten. Thanks to C. C. Finlay at the F&SF forum for linking to Datlow’s announcement (all titles unique).
  • 2018-02-23: Added links to “,” “Number Thirty-Nine Skink,” and “The Speed of Belief” from the Asimov’s Reader’s Awards finalists, Thanks to File 770.
  • 2018-03-02: Added links to “Focus,” “Nexus,” and “Time Travel Is Only for the Poor” from the Analog Reader’s Award finalists. Thanks to Laura.
  • 2018-05-20: Added Year’s Best Weird Fiction: Volume Five, Shearman/Kelly, eds. Thanks to File 770 for the titles (all unique).
  • 2018-05-22: Added source for the Pereira story. Thanks to Roger Silverstein.
  • 2018-05-27: Added The Year’s Best Military & Adventure SF, Volume 4, Afsharirad, ed. Thanks to Black Gate for the titles (all unique except for “Bots”).

Review of Weirdbook #37 for Tangent

The thirty-seventh issue of Weirdbook is chock full of twenty science fiction, fantasy, horror, and even mainstream tales. While I can’t fully recommend any individually due to various technical problems, many of them (the Rozakis, Glasger, Harewood, Beal, Canfield, Hood, James, Casey, etc.) have at least an idea or image or motif of some kind that has great power. The issue as a whole has some pulpy fun and I wish more technically polished stories in other venues would be more like these in that regard….

Full review at Tangent: Weirdbook #37, November 2017