This week we go back to WWII to struggle with luck and death and we also go forward to the end of the Earth and out beyond the universe to struggle with the Creator.
Ian R. MacLeod (1956-08-06)
“The Chop Girl” (Asimov’s, December 1999)
World War II is raging. The chop girl tells her story.
Death was hanging all around you, behind the beer and the laughs and the bowls and the endless games of cards and darts and cricket. Knowing as they set out on a big mission that some planes would probably never get back. Knowing for sure that half the crews wouldn’t make it through their twenty-mission tour. So, of course, we were all madly superstitious.
She describes how she went out with guy after guy and how guy after guy never came back from his mission. How she acquired the reputation of being the Chop Girl, the evil touch, the personification of ill luck and how she became a lonely figure observing from a distance. And that’s how she observed Mr. Lucky, Walt Williams, appear on the base one day. How he was so charmed that he could maybe even walk on water. How he got that way. And what happens when irresistible good luck meets immovable bad luck.
There’s an expression about the flak being so thick you could get out and walk on it and this story has atmosphere like that because the chop girl’s narrative voice is so convincing and the details are so numerous and varied, yet united, and the story is so focused on its similarly varied, yet united “single effect” regarding superstition, luck, life, and death. There’s not a wrong note anywhere—even the epilogue-like part manages to step across time and quickly depict the loss of youth that, even with the loss of so much terror, is still terrible, and to end on a rather daring but effective note. The whole is completely real and completely mesmerizing. It’s not a very Birthday Review thing to say but, while other stories by this author haven’t had the same effect on me, I thought this one was a masterpiece when I first read it and it still is.
Clifford D. Simak (1904-08-03–1988-04-25)
“The Creator” (Marvel Tales, March-April 1935)
Simak is best known for stories he wrote in the 1940s such as those that formed City and stories he wrote in the 50s which comprised the contents of essentially every story he collected in his lifetime, as well as those later tales which were received with respect and awards. They are often folksy, rural tales of ordinary people in extraordinary circumstances and the like. I recommend many of them, such as “The Big Front Yard.” But there was another Simak who wrote wild-eyed crazy adventures that I also recommend like Cosmic Engineers and this tale. It’s very much 1930s SF and does do a lot of ‘splainin’ with lots of technobabble until getting to the action but it’s a big, bold, dangerous vision.
The tale opens in a Wellsian mood with a narrator marooned at the end of time before backtracking to tell us the cause of this effect. The narrator is a psychologist theorizing about his “consciousness units” and his friend is a physicist theorizing about his “time force” and, together, they manage to think up and build a machine that takes them outside of this universe and into a laboratory that’s been haunting the psychologist’s dreams and visions. It turns out that our universe is a bit of gunk this being has created for his (or is that, His?) experiments. Our humans are not the only creatures to have made their way to this great Lab Beyond the Sky, as one pair of bizarre creatures who communicate by electricity and one even more bizarre single stickman are already there and going about their arcane business, creating entirely different time/space/dimension machines to return to the universe. The Creator veers wildly between angry and pleased, calm and frenzied, threatening and genial. But our psychologist has developed a knack for reading his mind and learns something terrible, resulting in some truly bizarre conflict.
As I say, this early tale is not Simak’s tautest construction or most plausible tale, but it’s certainly not what he was taught in Sunday School and, without aid of computers, anticipates some people’s contemporary questions about our universe being a simulation and doesn’t stop there. It’s a remarkable story and a lot of fun.