The Teardrop Method can be considered a tiny collection but it’s packaged as a novella with a bonus story and, since the story is a reprint, it’s reviewed strictly as a novella. That makes it my first chapbook novella review.
“Though She Be But Little” by C. S. E. Cooney, Uncanny #18 September/October 2017, fantasy short story
One day the sky turns silver and the Earth is magically transformed. For instance, sixty-five-year-old Mrs. Santiago becomes fierce eight-year-old Emma Anne. In this story, we follow Emma Anne and her sentient stuffed animals, her pirate frenemy, and her efforts to deal with the scary, deadly, mantis-like Loping Man.
Oh, he was enormous, colossal, an armored giant, but so very terribly compactable. Yes, and maybe that was where he went all day. Not away, but down, folded into leaf and twig and compound eyes, origamied into torpor.
Yes, verbing weirds language—sometimes to great effect.
This is very much like “Gallows Girl,” which I recently recommended, in that it may reduce to a “stick it to the man/grrrl power” theme (with an ambivalent connection between two female figures) but is also wrapped in a wonderfully inventive confection of imagination climaxing in a violent confrontation. However, it is nothing like it insofar as the imaginative details are different and this story has a great deal more whimsy, exhilaration, and lightness of touch. I enjoyed both in their ways.
BCS saved the best for last this month (coincidentally, as they’re biweekly and not monthly).
- “Gallows Girl” by Mel Kassel (fantasy short story)
“The Library of Lost Things” by Matthew Bright, Tor.com 2017-08-23, fantasy short story
Thomas Hardy (no relation) applies for a job at the Library of Lost Things under false pretenses. The Library is a special structure which contains a ring of portals through which Collectors bring things from various times and places to be stored by Indexers in the rest of the Library. He pretends to be a drab philistine in order to become an Indexer and gain access to a volume his father (who committed suicide when Tom was a boy) had written. Along the way, he tries to handle the Librarian, deal with Gadzooks the Collector, and navigate a relationship with Jean Genet. Not to mention bandying arcane sesquipedalian words with the rats.
With an ostentatiously literary work like this, I feel like I have to quibble about something being “poured” over when it should be “pored” and about “boyborygmus” being used when it should be “borborygmus” (though that may just have been a typo). And a work which makes fun of people who dislike present tense and second person and uses the Librarian as a symbol of the soulless gatekeeper of objectified things whose spirits are ignored and as a superego (when the Librarian might be more justly idealized as a conservator of and guide to knowledge) is not really my kind of thing, generally. That said, this work is not written in second person present tense (and perhaps comments on Forster with its “And then”s) and does bring its surreal milieu to a tangible life. It’s also full of nice touches like throwing in a dozen obscure words in seemingly idle rat chatter, some of which are indeed fairly random, but a couple of which have significance and one of which is key. The core seems to be about expressions of love which most or all good stories are in one way or another. (And, while not especially connected, I can’t believe Borges’ “The Library of Babel” isn’t at least hovering around the edges of this.) “The Library of Lost Things” certainly wouldn’t appeal to everyone but I think it would to many, some of whom might be surprised by it.
As promised, the review of this month’s second issue of BCS is available for reading at Tangent.
Recommended: None. (This wasn’t even as good as #231.)
BCS releases two stories every two weeks, for some reason, and Tangent covers each issue of a month separately, so here’s the first of three BCS reviews I’ll be doing this month. (As always, the link takes you to the full review on the Tangent website.)