- “Orphan Tsunami Heathens” by Tiera Greene, Strange Horizons, August 13, 2018 (fantasy short story)
- “The Vegan Apocalypse: 50 Years Later” by Benjamin A. Friedman, Diabolical Plots, August 15, 2018 (science fiction short story)
- “The Preprint” by J. W. Armstrong, Nature, August 15, 2018 (science fiction short story)
- “No Flight Without the Shatter” by Brooke Bolander, Tor.com, August 15, 2018 (fantasy novelette)
- “The Wyvern Rider and Those of the Land” by Jeremy A. TeGrotenhuis, Beneath Ceaseless Skies #258, August 16, 2018 (fantasy novelette)
- “Shattered Hand” by Marc Criley, Beneath Ceaseless Skies #258, August 16, 2018 (fantasy short story)
- “The Treatment” by Koren Shadmi, Terraform, August 17, 2018 (science fiction short story)
This week’s stories were a weird bunch with little, if anything, that could be taken seriously as science fiction and little, if anything, that was pure fantasy.
The least unsuccessful stories were science fiction satires. “Vegan” was a clever bit of ironic propaganda in which McFleshy’s tells us the truth (the McFacts!) about the vegan/Vegan conspiracy and how the company took over what was left of the world for the sake of humanity. As a guy whose “food pyramid” practically has meat as the base, this naturally doesn’t resonate with me, but it was smart and funny. Unfortunately, aside from the comico-historical infodump there was no plot and, aside from the Voice of the Narrator, there were no characters and it’s all just a bit silly. Less silly, but still going for humor, “The Preprint” tells us about the “machine at the centre of the Universe, the sole function of which is to create more time.” When the protagonist’s colleagues don’t believe him, he invents a space machine to travel to the time machine but the time machine is an AI and doesn’t like this, so sends him back to the past, where he’ll just be considered (even more of) a crackpot. It’s a little too contrived and the machine moves conveniently nearer or further from omniscience as needed but it’s an amusing gimmick. Finally, “The Treatment” is not amusing at all, but perhaps should have aimed for it, as it comes off as “Reefer Madness for the Opioid Age” with the only “SF” elements being a fictionalized drug and an extrapolation into bathetic dystopia with a nakedly emotionally manipulative ending.
Moving to fantasy, it’s possible “Tsunami” was intended as SF, dealing as it does with climate change (specifically sea level rise) but has people spontaneously sprouting gills and webbing and becoming vampiric merfolk who sometimes stick straws into people’s necks to feed. The conflicted protagonist meets a boy but her friends’ urge to make her feed complicates the relationship, turns things toward horror, and makes everyone repellent. In “Flight,” Earth’s climate has been ravaged even further and magic animals educate the last surviving human, a young girl, before flying in their shadowship to heaven. The novelette-length sermon could have easily been boiled down to flash.
The science-fantasy-like BCS stories open with another novelette, “Wyvern,” which does have more than a short’s worth of milieu but this milieu is not gracefully exposed. An unclearly articulated entity usually has four souls in one except that one has been stolen by the machaenists (mechanists or machinists, obviously) who uphold the remnant tech of the Ancients. Then there’s the girl and her dragon who are similarly symbiotic and similarly entangled with the machaenists. It all ends in a big fight. The story is violently technophobic and the ending action sequence is pure hand-waving authorial fiat. The milieu is more complicated than it needs to be but it won’t be wasted as this story doesn’t end but clearly leads to a sequel. I will give the story the one credit of having a good cinematic scene of a steampunk airships, old mechanical metallic plane-like vehicles, and a dragon all engaged in combat. Finally, “Shattered” also deals with symbiotic characters in combat when a large beetle-like creature (the narrator) and a woman fight the Evil Overlord. Again, this one had a scene of what must have been one heck of a fight but the action was hard to follow and the motivations were too generic to produce much interest.