Review: Nightmare #81, June 2019 (at Tangent)

Neglected to include an issue-wide introduction to quote as a teaser but it’d have been something like “This month’s issue of Nightmare brings us two original stories whose possibly interesting cores are marred in part by their narrative strategies.”

Continue reading at Tangent.

(Incidentally, I promise the next review will be directly on this very blog.)

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Review: The Year’s Best Military & Adventure SF: Volume 5 (at Tangent)

The fifth edition of The Year’s Best Military & Adventure SF opens with a preface by the editor who muses on the series’ five-year voyage before giving way to an introduction by David Weber who again muses on the horrors of war coupled with the benefits of speculating on it and its future.

Despite the introduction, only half of this anthology is military SF, with the other half fitting better under the “Adventure” portion of the title. Stephen Lawson’s superb “Homunculus” is a case in point….

Continue reading at Tangent.

Review: DreamForge #2, June 2019 (at Tangent)

A new printzine isn’t something you see every day.

The second issue of DreamForge is subtitled “Tales of Indomitable Spirit” and ten of its eleven flash pieces are placed under that heading. It also contains five original stories, a reprint, a poem, a submission guide, and an editorial. The latter is a stirring call to reason which characterizes SF&F as “the literature of ideas, not the bulletins of despair” and concludes with an Asimov quote. Given that, it was disappointing that three of the longer stories were species of fantasy and the two others had minimal sfnal idea-content. However, the flash pieces tended more towards SF. Many of the stories feature young protagonists but it wasn’t until “Lightweight” that I realized that this issue would be an excellent thing to hand a young reader with its mostly straightforward plots and prose and its abundant artwork. For other readers, the biggest flaw was that the plots were often resolved too easily but the overall quality of this promising magazine was still interesting-to-good.

Continue reading at Tangent.

Recommended:

  • “I See Punk Elephants” by Blake Jessop (science fiction short story)
  • “Pioneer” by Mark Gallacher (science fiction short story)

Honorable Mentions:

  • “Sid” by Andrew Jensen (fantasy short story)
  • “The Weight of Mountains” by L. Deni Colter (fantasy short story)

Review: Lightspeed #108, May 2019 (at Tangent)

This month’s Lightspeed stories move from a longer novelette to a shorter one and then to a short story and a shorter one. The last two avoid direct narrative and the first and last (arguably) avoid genre commitments. Coincidentally or not, the issue’s best tale is the second, which is a science fiction narrative, though even it doesn’t stick the landing.

Continue reading at Tangent.

Review: F&SF, May/June 2019 (at Tangent)

This issue of F&SF is markedly populated by familiar, ideological, misanthropic, underplotted stories which tend to focus on dysfunctional spouses and parents. One of the few exceptions (though a little cynical about human nature, itself) is a reprint of an obscure picaresque fantasy and it’s also the best story in the issue, though a few others have their points of interest and elements of merit.

Continue reading at Tangent.

I don’t ordinarily review reprints but didn’t read the blurb at the front that acknowledged its reprint status until I’d already reviewed it. Tangent doesn’t review reprints at all, so here’s what I wrote on “Sternutative Sortilege” by Matthew Hughes:

Raffalon is a thief who is looking for a new home after the partial destruction of the city he’d previously called home which was not at all his fault, no sir. Instead of setting up comfortably in virgin territory, he finds himself captured by a cult who uses their sneezing prisoners as tools of divination and must escape before their sneezing powders kill him.

This picaresque tale (one of several with this protagonist) has a style that smacks slightly more of artificiality than artifice and a conclusion that is a little underwhelming but the concept and phrasing of “sternutative sortilege” is as amusing as it is disgusting and the structure and pacing is sound, though the mortal threat to the protagonist initially depends on some wasteful priests who don’t seem to appreciate simple pepper. All in all, it’s good entertainment.

Review: Clarkesworld #151, April 2019

Clarkesworld #151, April 2019

Original Fiction:

  • “The Last Eagle” by Natalia Theodoridou (science fictional short story)
  • “Ripen” by Yukimi Ogawa (fantasy novelette)
  • “Gaze of Robot, Gaze of Bird” by Eric Schwitzgebel (science fiction short story)
  • “Social Darwinism” by Priya Chand (science fiction short story)
  • “Skyscrapers in the Sand” by Y.M. Pang (science fictional short story)

The original stories in this issue of Clarkesworld include something I can’t see as SF, two pieces which provide only indifferent tokens of SF, and two more vigorously science fictional tales.

Ripen” feels like a strange hybrid of science fiction and fantasy involving an island of colorful people interacting with mainland tourists while menial colorless people try to get by. When a tourist and a colorful person with skin problems get involved with some colorless people on the illegal edge of the makeup industry, someone may get hurt. Akin to last issue’s “Smile,” the story is rife with uncorrected solecisms though they generally weren’t as bad as last month’s story, aside from things like someone demanding to see Madam’s crack. The story wasn’t especially interesting but I did appreciate the positively shifting appearance (beyond the skin-deep) of one of the characters.

Skyscrapers” is an unsatisfying elliptical short tale about an ill and/or older woman memorializing an old flame via a time capsule. The speculative element is that she’s doing so in an ecologically ruined Shanghai.

A female becoming a male and someone who may be male are searching for a third who, in turn, has gone looking for “The Last Eagle” and the pair find something. There’s very little story in these 6000 words and less science fiction with only the symbols of a future post-war period in which the third they’re searching for is an “Artificial.”

The protagonist of “Social Darwinism” is woman who has been modified to be an attention-whore. She’s offered advertising minutes if she’ll participate in the agenda of a shadowy group of differently modified people to sway public opinion to do away with her kind. It’s good that this story has integral SF elements (however thematically/symbolically deployed) but they are confusingly presented and the actual core of the story is repellently akin to a daytime TV show.

Finally, “Gaze of Robot, Gaze of Bird” is about a “complicated toaster” and a “knot of fuzz.” The former takes the latter to an alien world and begins to modify that world, along with its prokaryotic life. Along the way, we learn that the robot has been sent out by a species that has been wiped out long before our tale starts with a stuffed monkey as a sort of ideal of beauty and teleological goal for recreating the dead species. This is one of those stories where words fail me, but it’s certainly one of my favorite stories of the year, joining Auston Habershaw’s “Applied Linguistics” (Jan./Feb. 2019 Analog) and Tom Greene’s “Better” (Mar./Apr. 2019 Analog) in a triptych of recent rare examples of Real Science Fiction™. There is one overt didactic paragraph I wish could have been more dramatically integrated with the main story and one can certainly argue about the odd morphological rather than, say, genetic approach to the task and there is certainly an interesting moral conundrum for the reader to play with which can put a sinister interpretation on the events but the latter two are as much virtues as vices, being among the things which give the reader much to think about. This is a short story which operates on gargantuan scales of time and space, has an intriguing combination of hard-edged objective narration and earned, unashamed sentimentality, and has a protagonist in J11-L that is worthy of joining the pantheon of Asimovian robots. I vigorously recommend this tale.