Eando Binder (Otto has the birthday this week) introduces us to one of science fiction’s more significant robots while Jack Vance takes us to an ancient alien battlefield where the fighting’s just begun and Ray Bradbury and James Tiptree, Jr. (Alice Sheldon) bring us visions of damsels with dulcimers in their completely different ways.
Happy birthday also to Vonda N. McIntyre (1948-08-28–2019-04-01). While not generally the biggest fan, I would have re-read and reviewed her remarkable “Aztecs” novella but I intend to read the novel expanded from it sometime this eon, so didn’t feel like getting into the novella right now. The birthday party is still full, anyway.
Eando Binder (1911-08-26–1974-10-14)
“I, Robot” (Amazing, January 1939)
Shortly before Isaac Asimov was to set his stamp on robot stories forevermore, Earl and Otto Binder wrote this bildungsroman/Frankenstein-revision about a robot with an iridium-sponge brain (it’s the platinum that makes Asimov’s robots so good) who was created by Dr. Link and raised and named Adam Link by him. The “to whom it may concern” letter structure written in a quiet space amidst much trouble makes it a little distant and it’s a bit sentimental, but it’s an interesting and effective tale now and was even more unusual when written. It’s good stuff for anybody but essential for Asimov and/or robot fans.
Ray Bradbury (1920-08-22–2012-06-05)
“The Anthem Sprinters” (Playboy, June 1963)
Everybody’s gotta love The Martian Chronicles and Fahrenheit 451 but I’m actually not otherwise the biggest Bradbury fan. However, this is a story that I’ve read twice, with a grin the whole time both times. And it’s not even science fiction.
An American is in an Irish pub when he learns about a “bug under a microscope [which] is the greatest beast on earth,” in this case, the betting sport the gang has to entertain themselves based on what needs to happen at the ends of movies… unless still greater things intervene. Actually, while not SF, and without anything that flatly contradicts the natural world, this is a species of fantasy just because everything in it is imbued with such improbable joy.
James Tiptree, Jr. (1915-08-24–1987-05-19)
“Milk of Paradise” (Again, Dangerous Visions, 1972)
This story resists synopsis in the way that poems resist paraphrase and, as the references both within and in the title of the story to Coleridge’s “Kubla Khan” indicate, that’s not an accident. To put it baldly and rob it of its texture, Timor was the son of a scout who, with his father dead, lived with aliens as a boy until he was rescued at age 10. Now apparently a young man, he can hardly associate with humans who are repugnant to him, as he is to himself, for not being like those wondrous aliens. This is especially hard to understand for the people who come into contact with Timor because humans generally know of only one other species, the sub-human Crot. When Santiago shows up, strikes a familiar chord in Timor, and wants to take him on a space journey, Timor’s isolation changes and changes again, each time in an ambiguous way.
Much as the river Alph, the story flows in what seems like a reasonably clear and accessible way which engages the reader but is obviously going to be deeper than many stories. Even feeling that, the waters at the chasm burst out with surprising force and depth of psychological action. Perhaps it’s a restatement of the poem in science fictional terms or perhaps it’s a reply. It also may be tangential to all that, only borrowing the poem for a title and a quote, and be saying something about the extraordinary power (for good or ill) of formative events, or seeing with more than eyes or, conversely be about us and, as Nietzsche had it, that we may need our self-deceptions to survive. Either way, it’s a fascinating and powerful experience that may err on the side of obliqueness but is otherwise excellently executed.
Jack Vance (1916-08-28–2013-05-26)
“Sulwen’s Planet” (The Farthest Reaches, 1968)
Professors Gench and Kosmin and Dr. Drewe are the focal characters of a mission to develop a plan of exploration of Sulwen’s Plain on Sulwen’s Planet which orbits Sulwen’s Star. The plain is the scene of a 62,000-year-old battle where no less than seven starships of at least two races have crashed. Gench is a philologist while Kosmin is a comparative linguist and they are constantly stepping on each others’ hated toes. Drewe is a mathematician and Director of the mission. We follow the dangerously serious games of one-upsmanship between the two wordmen before a clever double-ending.
This reminds me of something else I can’t put my finger on and any reader would be justified in being disappointed in the insufficient use made of the fantastic setting (as well as being put off by the personalities of both Gench and Kosmin) but the setting is so fantastic while the action within it is so believable, the plot is so clever, and the final perception of Gench and Kosmin is sufficiently modified that it’s an enjoyable tale.