- Summation of Online Fiction: April 2017
I thought ralan.com might have been hasty in declaring Terraform dead but I’m calling it, too. Leaving aside comic strips, after four stories in January, there’ve only been two in each of February and March and none in April. The remaining dozen prozines brought us forty-two stories of 199K words.
In one of Dozois’ Annuals (I forget which) he says something about the industry going in streaks with some years producing no anthologies about wombats and others producing ten of them. The same is true of webzines on a monthly basis. As March was Horror and Tor/Nightmare Month, so April was Fantasy, BCS/Lightspeed, and Novella Month.
Taking the last first, Clarkesworld and Uncanny brought us the rare treat of webzine novellas, for which they are to be commended. Alas, both novellas were quite flawed and, ironically, one of the flaws was that neither had a novella’s worth of material but would have easily fit into novelettes. Still, I hope the novella trend continues. For the other two monthly statistical anomalies, almost all my recommendations were fantasy and almost all from two venues. Only one SF story really stuck out and not in an especially sfnal way (though, conversely, a couple of the fantasies had sfnal elements). Two honorable mentions were both SF, though, and both from Compelling. Deborah L. Davitt’s “Demeter’s Regard” is a tale of a human/AI romance onboard a multi-generational starship and Karl K. Gallagher’s “Samaritan” is a pretty upbeat tale of a Neo-Amish Boy in the Big Lunar City.
- “The Black Clover Equation” by Zach Shephard, Flash Fiction Online, short story (rec)
- “I Have Been Drowned in Rain” by Carrie Vaughn, Beneath Ceaseless Skies, short story (rec)
- “Remote Presence” by Susan Palwick, Lightspeed, novelette (rec)
- “When We Go” by Evan Dicken, Beneath Ceaseless Skies, short story (rec)
- Rec: “Seven Permutations of My Daughter” by Lina Rather
“Seven Permutations of My Daughter” by Lina Rather, Lightspeed April 2017, SF short story
Still pouring. (Coincidentally, it’s literally pouring where I am, with flood warnings and everything.) Lightspeed achieves the remarkable feat that BCS just achieved of impressing me twice in the same month. And Lina Rather has now impressed me twice in three months. I first noticed her February FFO story, “Marking the Witch” and I was wondering if she could do it again without doing it again, so to speak.
Rather than a fantasy about a romantic connection, this is a sort of SF story about a familial connection. Something horrible is going on with a woman’s daughter (Elena) and that woman (Sarah) happens to be a mathematician/physicist who has been and is exploring the worlds of the multiverse in order to find a pattern in which the daughter and family are happy. She hopes to see that it’s possible, understand it, and perhaps apply it.
The structure of the “permutations on a theme” is very familiar and even the “scientist uses special knowledge to pursue a personal goal fervently” is familiar. But, somewhat as the virtues in “I Have Been Drowned in Rain” compensated for the familiarity of some of its elements, so the emotional freight of this story (which it shares with “Marking the Witch” but even exceeds) serves to make this story special. It’s so easy for stories aiming for passion and emotion to fall flat on the one hand or to seem overwrought on the other. It’s so easy for stories about pain to be aesthetically painful for the reader. But this story excels at finding that emotional pitch where the character feels genuine and she really, really wants something and it’s easy for the reader to sympathize.
Also, somewhat akin to “When We Go,” it has a strong, direct style which I appreciate. For a sample of that and the emotional pitch, I like lines like, “I will tear space and time apart for you, Elena. I will remake the world for you,” placed in stories in which they seem appropriate and credible. Further, the last line is superb.
- Rec: “When We Go” by Evan Dicken
“When We Go” by Evan Dicken, Beneath Ceaseless Skies #223 (2017-04-13), fantasy short story
My last recommendation had “rain” in the title and, when it rains, it pours. Here’s a second excellent story from the same issue.
The Bronze Faces have been killing off the protagonist’s people in general – and her family, specifically – and she believes the gods have abandoned them. In vengeance, she has been hunting the gods down and killing them with the World Serpent’s Fang, asking them a last question: “Why did you forsake us?” With no satisfactory answer, she intends to hunt down the last: Coyote, the trickster. So, naturally, things are not as they seem.
The people are being driven to the edge of the western sea and the bulk of the story takes place in their refugee camp. (The other story in this issue has a similar locale with at least one common bit of significance, but with a very different scope and mood.) One of the many strong elements of the camp sequence is the “fire singing” in which young warriors tell of what their passing will be like. “I will soar like a sparrow when I go…. My enemies but tiny specks, I shall rise until they are nothing when I go.” Both on this scale and a social and cosmic one, as the title indicates, this is a tale of death/change.
This theme and the imagery of the story is complemented by its style. As readers of this blog may know, I’m not a big “style” guy, generally favoring simple clarity. Most of what passes for “style” slows the pace or produces obfuscation or a lilting, mincing, weak feel or any number of other failings. This story has a definite style, but a style I enjoyed, being just elevated enough to avoid plainness but remaining direct and achieving power. In addition to the line above, I’d like to quote a couple of paragraphs to illustrate this but they’re too near the climax, or another bit which achieves one of several frissons of awe after the protagonist has dealt with Death but it’s too extended, so perhaps this paragraph will suffice as an example.
I’d felt neither hunger nor exhaustion since the Field of Husks, the emptiness inside me lost against the vast hollow expanse of a thousand worlds fallen to rot amid the roots of the World Tree. I’d left more than my blood upon that long crawl down to the Serpent’s lair, the jagged tangle of obsidian roots carving away whole parts of me. And yet, something tightened in my chest as I surveyed the valley. The smoke on the air, the faint calls of herders, the distant glimmer of fires—I needed no rest, I needn’t even stop, but it would be nice to ride toward the camp for a while, to pretend I was coming home.
- Rec: “I Have Been Drowned in Rain” by Carrie Vaughn
“I Have Been Drowned in Rain” by Carrie Vaughn, Beneath Ceaseless Skies #223 (2017-04-13), fantasy short story
Jared is leader of a small group (“the magician, the knight, the thief, and the princess” and “the young woman Kat” – who is the focal point from Jared’s point of view) who are attempting to avoid the Wrath’s servants and get the princess through unfriendly lands, across the water, and back to their own lands where she can help oust the usurper. The core of the story is about them being one step from success and wondering if they’ll be caught or if they can even trust each other.
Perhaps this is a generous recommendation as I can’t quite articulate why I liked it as much as I did. At first, I wasn’t sure if it might not be intended as a parody because it seemed so extremely generic but I quickly became interested in Jared’s thoughts and Kat’s weirdness (see semi-spoiler paragraph if so inclined). The setting was made vivid and tangible. While there’s virtually no action there was enough tension to fill its wisely short length. (See semi-spoiler paragraph for a hint about one of my favorite things about the story.) In sum, it was just a gripping read that I enjoyed.
Semi-spoiler paragaph (one “reverse-spoiler,” so to speak and one only by innuendo): Regarding Kat, I found her compelling – the only tiny negative was that I was a bit disappointed that her backstory didn’t have an element I thought it should have even though I know BCS only does science fantasy as a special thing. Regarding one of my favorite things, I love it when a story reaches a fork in its road and does exactly what I think it should do. I frequently groan when characters become stupid from misguided concepts of nobility and almost always appreciate some realpolitik, at least when its not inappropriate to the story and character.
- Rec: “Remote Presence” by Susan Palwick
“Remote Presence” by Susan Palwick, Lightspeed April 2017, fantasy novelette
Win is a chaplain charged with providing spiritual care as mandated by the JCAHO (Joint Commission on Accreditation of Healthcare Organizations) which is sending an inspection team to Win’s hospital. The problem, as his boss and her boss both inform him, is that they’ve found out about the skeleton in his closet – or, more accurately, the ghost. Most people die and move on, either pushed with enough love from those on earth or pulled by those who have already gone before. Maisie, however, is one of those who’s gotten stuck between planes and is lingering around the hospital, talking with and comforting patients and even employees. This will cause significant problems according to the JCAHO rules but does a lot of good as well – breaking the letter of the rules but not their “spirit.” There is a further complication in that Win has to question both his motives for not having helped Maisie across and his thoughtlessness in certain regards. The main plot tension revolves around the inspection and possible closure of the hospital and Maisie’s status, particularly as it involves a recently arrived homeless patient.
This story includes a mainstream feel with the hospital, an SF feel with the telepresence, and a fantasy feel with the spiritualism. Some stories do such things and feel like “mash-ups” or ostentatiously “genre-bending” stories (or just bad SF) and often don’t work at all, but there’s a harmony to this fantasy that doesn’t feel “mashed” at all. It is also a nominally Christian tale, but is ecumenical in the broadest sense, dealing with love and compassion. Further, it has a genuine plot, is directly told, and shows all the professionalism one might expect from a writer with over thirty years of publications. For instance, the emotions are neither suppressed nor mawkish but are simply appropriate to the depicted people and situations. My only quibble is that, while some of the backstory anecdotes exemplify why some people have a hard time crossing, Maisie’s inability to cross didn’t seem adequately explained. On the other hand, I’d recently complained about telepresence technology constantly being used in SF as a “distancing” trope and I particularly appreciate it being used in this fantasy to facilitate connection. I enjoyed this well-told, fairly novel, and touching story.
- Rec: “The Black Clover Equation” by Zach Shephard
“The Black Clover Equation” by Zach Shephard, Flash Fiction Online April 2017, fantasy short story
This short-short takes a scientific (and hilarious) approach to lucky charms and their counterparts. (Given that approach and another element, it’s almost as much SF as fantasy.) The terse, dispassionate notes are appropriate for what they’re supposed to be but also create an almost Steven Wright delivery which makes it even funnier and the outrageous extension of the tale takes it to the finish line. (Although I think my favorite specific bit was the relatively modest black spray paint/combo effort.) Humor is in the funny bone of the beholder but I strongly recommend this.
- Summation of Online Fiction: March 2017
Compelling was off this month and the other twelve prozines produced forty-nine stories of 168K words. Only three of those struck me as especially noteworthy but that was partly offset by several honorable mentions. Tor.com came alive (mostly thanks to Ellen Datlow) when most other zines were below their average. Like Tor, Nightmare was also a little more impressive than usual – and in a month when it had a lot of competition, as many zines seemed to want to include some horror in this spooky month of March.
- “The Last Novelist (or A Dead Lizard in the Yard)” by Matthew Kressel, Tor.com, short story (rec)
- “Rising Star” by Stephen Graham Jones, Uncanny, short story (rec)
Fantasy (billed that way, anyway)
- “Margot and Rosalind” by Charlie Jane Anders, Tor.com, short story
- “Mr. Singularity” by Norman Spinrad, Nature, short story
- “Things Crumble, Things Break” by Nate Southard, Nightmare, short story
- “Luminaria” by John Hornor Jacobs, Apex, novelette
- “Nightshade” by J.W. Halicks, Beneath Ceaseless Skies, short story
- “You Will Always Have Family: A Triptych” by Kathleen Kayembe, Nightmare, novelette
Both stories from Nightmare and the one from Apex are horror or akin to it. “Triptych,” especially, was close to a rec but an “idiot plot” and other issues hurt it. Similarly, “Nightshade” was an offbeat, enticing, almost Burtonesque tale but ended up being too beholden to incompatible fantasy conventions. Tor.com went on a “Women’s Day” binge of mostly unremarkable mostly flash pieces but a couple stuck out more than the rest, with the “hyperbrain” story “Margot and Rosalind” being my favorite. Another AI short-short, Norman Spinrad’s “Mr. Singularity,” was a bit too much of a straw man and not entirely convincing, but was interesting and idea-centric.
- Rec: “The Last Novelist (or A Dead Lizard in the Yard)” by Matthew Kressel
“The Last Novelist (or A Dead Lizard in the Yard)” by Matthew Kressel, Tor.com 2017-03-15, SF short story
There’s not much to say to summarize this tale. In a future age of neurals, a novelist of pen and paper and self-typeset books who has a terminal condition travels to Ardabaab to work on his last novel while awaiting death. He meets the personification of youth and hope and talent in “Fish,” a young girl who becomes his muse and illustrator and typesetting assistant. All of this goes to answer the question about why and how we persist in doing the things we do.
It’s irrelevant but I can’t help but notice the oddity of reading this, which may well have been written on a word processor, on a webpage.
It’s unpleasant, but to get the quibbles out of the way, the dying author’s writing (given in alternating italicized sections) seemed oddly worse than the rest of the story, being more mannered and flowery. The girl is implausibly innately talented for a real character vs. a symbol. Most importantly, I find it hard to believe we will “wiki” in the future any more than we “gopher” today and that anyone will be from Google Base any more than they will be from AOL Orbital. A similar problem is exemplified by the locals offering the protagonist “braino and neur-grafts and celebrilives.” Everyone from Cordwainer Smith to Bruce Sterling can write lines almost like that but which have an elegant ring of native sfnal authenticity which this lacked.
All that is fundamentally insignificant, though. The characters are likable or explicable and the two main ones have a charming sort of plausibly implausible chemistry. The story is just the right length, with just the right pace (leisurely, but not slow, with an ever-present sense of the ticking clock), and comes together beautifully in the end with some emotional and thematic weight. Basically, other than stumbling over some of the odd diction mentioned above, this was a delight to read.
- Rec: “Come See the Living Dryad” by Theodora Goss
“Come See the Living Dryad” by Theodora Goss, Tor.com 2017-03-09, novelette
A woman in the present investigates the murder of her great-great-grandmother who was part of a “freak show” as a “living dryad.” (She actually had an extremely bad (and non-fictional) skin condition.) The story is told through narration in past and present as well as by means of sometimes nested letters, book excerpts, and other sorts of things (such as a box of evidence at a police station), producing the effect of looking through a scrapbook or mementos and family heirlooms which is basically what the present-day protagonist is doing.
If you need this story to have a revelatory twist, you’ll likely be disappointed as the whodunnit is pretty clear early on. Perhaps more problematically, this story’s vegetable love grows more slow, as Marvell might have it. However, while I value pace more highly than most readers, even I found the backstory, foreground, phrasing of the tale, and strokes of characterization sufficient to keep me involved. Perhaps the most problematic issue is that this is basically a mainstream story (and closer to SF if anything, despite being billed as fantasy). Unless I missed it, nothing supernatural happened and nothing scientific was projected though the story was reasonably scientific in both medical and criminal terms. All that’s particularly “made up” are the plot and characters, as in any fiction. But, much like Apollo 13 is sometimes lumped in with SF because “a space movie equals a science fiction movie,” so this “feels” a bit like SF and a bit like fantasy, so is “of interest” to the field. And, speaking of movies, I feel like anyone who enjoyed The Elephant Man would enjoy this story. There are so many similarities that this story could be dismissed as “derivative” but I feel it would be fairer to say it was partly “inspired by” the story of Merrick (who is name-checked in this tale). Finally, another of this novelette’s better features is its humanist theme which is certainly clear but handled reasonably lightly. While the heroes and main villain conform to today’s standards, the story does not settle for simplistic praise or condemnation (when it has more reason to than many stories) but remains true to its universal theme.
- Rec: “Rising Star” by Stephen Graham Jones
“Rising Star” by Stephen Graham Jones, Uncanny March/April 2017, science fiction short story
If nothing else, I like this story for talking about the spatial problems with time travel but there’s much more. The synopsis is quite simple, though. A scientist – or crackpot? – or the author? writes a proposal to a grant committee with great certainty that it will be accepted and explain a (real) mystery.
The only real complaint I can see regarding this story is that, by being a letter, it isn’t the most action/adventure-oriented plot but, by being all about the concept and detailing some pretty intense stuff it’s quite exciting. Otherwise, this has clean narration and the perfect marriage of form and content that “Cease and Desist” had. Further, it’s a genuinely tight and fun concept. I’m a guy who’s a hard sell for time travel stories but I’m buying this one and hope you do, too.
- Summation of Online Fiction: February 2017
Thirteen February pro-rate webzines (the same as last month‘s list except that a new bimonthly issue of Compelling replaced the defunct Fantastic) produced forty-three stories of 196,912 words. I most appreciated six (amounting to 14% of the whole).
- “The Perfect Porn” by Carl Franzen, Terraform, short story (rec)
- “Tav” by Dustin Kennedy, Compelling, novelette (rec)
- “The Terminator” by Laurence Suhner, Nature, short story (rec)
- “The Garbage Doll” by Jessica Amanda Salmonson, Nightmare, short story (rec)
- “Gravity’s Exile” by Grace Seybold, Beneath Ceaseless Skies, novelette (rec)
- “Marking the Witch” by Lina Rather, Flash Fiction Online, short story (rec)
There are several honorable mentions this month, so I’ll give them their own section. In principle, the only webzine stories I write up on this site are recs but you can read about the Lightspeed honorable mentions in my review of the whole issue at Tangent, if you wish. As far as the others, “Cupids” would appeal mostly to some women, people with an interest in postmodern mythology, or those who respond to its sense of humor (I like classical mythology and thought it was kind of funny) and “Thule” would have interest to some fans of Poe (he plays a large role in the story – perhaps larger than the author even intends, given its theme) and to those who can get through its over-engineering to enjoy its rococo prose and sneakily involving action.
- “The Last Garden” by Jack Skillingstead, Lightspeed, short story
- Rec: “The Terminator” by Laurence Suhner
“The Terminator” by Laurence Suhner, Nature (2017-02-22), science fiction short story
A woman has a task which makes her contemplate beginnings and endings, yin and yang: terminators. And she does this in a system of a tiny cool star and three habitable planets.
I’ll grant that this story may be a little lacking in the dramatic/fictional departments and some of this is just excitement over the timely topic but this is a brilliant evocation of the possibilities of the system. No, it is almost certainly not like everything described in the story and it’s not even very likely it’s much of anything like it (though the author does address some of my concerns about the effects of tidal locking on temperatures and atmospheres and the effects of strange suns and their radiation fields on close planets and so on). Still, one of the strengths of real science fiction is its ability to make genuine possibilities imaginatively concrete and this story concisely achieves that.
For the non-fiction behind the fiction:
- These seven alien worlds could help explain how planets form (nature.com*)
- A whopping seven Earth-size planets were just found orbiting a nearby star (popsci.com)
- Star found with record seven Earth-size planets (spaceflightnow.com)
- Major Discovery! 7 Earth-Size Alien Planets Circle Nearby Star (space.com**)
- Searching for Life on 7 Nearby Alien Worlds: How Scientists Will Do It (space.com)
* At the time of this post, this article is inaccurate (or at least makes a wildly optimistic, unreasonable, and unnecessary overstatement): “All of them orbit at the right distance to possibly have liquid water somewhere on their surfaces.” Only three do (if three can be described as “only”).
** Ditto: “all of them may be capable of supporting life as we know it…”
- Rec: “Gravity’s Exile” by Grace Seybold
“Gravity’s Exile” by Grace Seybold, Beneath Ceaseless Skies #219 (2017-02-16), fantasy novelette
Jeone Serrica is climbing what seems to be a world entirely of mountainside or cliff-face when, after scaring off a giant lizard, she encounters a village of strange women. After being somewhat ambivalently welcomed and despite being told to remain in her guest quarters, our intrepid explorer sneaks a peek at the villagers’ rites. What she sees mystifies and horrifies her but, before she can even try to come to terms with it, she’s snatched by a giant bird and taken off to an even stranger realm and an encounter that requires much more from her than even facing down giant lizards.
There’s a joke to the effect that, if you want to get published in The New Yorker, you just need to throw away the last three pages of your story. A similar joke could be made about BCS but it would seem to take more work: just extract the middle third of your tale and send that off. This story, as many BCS stories do, implies backstory so strongly that it feels like there must be a prequel story and, while its particular action is completed, it ends with an intimation that there must be a sequel story yet to come. Also, the style of this story is peculiar. Tunnels twist beguilingly, light is pearlescent, and gazes are chatoyant. (I had to look that one up. Very—almost too—precisely chosen.) Referencing them together like that makes the style sound better and more consistent than it actually is because the bulk is strongly written and these words seem like coruscating excrescences. A final relevant quibble could be that the action-oriented climax is too talky and slightly awkward. Also, probably irrelevantly, this story was fundamentally fantastic but kept making me want to try to read it as science fiction and to force it to make more sense. But that’s probably just me. Point is that, all that aside, the imagination brought to bear in conceiving this doughty protagonist and this amazing world and the entities she interacts with was extremely impressive and I thought the mix of conflicting social and individual perspectives and desires was handled very well. The main thing is that it was fascinating throughout and will live in the memory for quite some time.
- Rec: “Tav” by Dustin Kennedy
“Tav” by Dustin Kennedy, Compelling #5 (Feb/Mar 2017), science fiction novelette
This story takes place in the near future when VR is quite advanced. William and Tav have been the primary movers behind a company that has gotten phenomenally large and powerful. After a celebration party for William at his home, Tav (the viewpoint character) is invited downstairs by the host of honor where William’s very special VR, and an entity in it, is revealed. The three then tour the realm and have a psychologically and existentially loaded conversation that creates a remarkable degree of tension and even spookiness. It leads Tav to make a radical move.
Between the VR and the existential question of “is it live or is it Memorex?” that occupies a good chunk of the story, it’s not the most original thing I’ve ever read but it takes an unusual approach in terms of its viewpoint character. It is also not unusual in being mostly conversational but, as I mention above, it makes that conversation unusually dramatically effective. Also, it doesn’t use its VR basis as an excuse to write a fantasy in SF’s clothing, hewing to merely “enhanced” reality, and provides fairly detailed descriptions of the VR tech and the entity, which were deftly exposed mostly via the subjective experiences of the viewpoint character and only minimally via the conversation. The one serious criticism I might have involves the finale but even though it feels a bit easy, it’s in keeping with both William’s and Tav’s characters and seems plausible in that sense. The story maintained my interest, was sharply delineated and, unlike much other webzine fiction, felt like genuine science fiction, and I definitely enjoyed it.
- Rec: “The Perfect Porn” by Carl Franzen
“The Perfect Porn” by Carl Franzen, Terraform 2017-02-14, science fiction short story
This is a tale of a company (and particularly an employee who is also our narrator) creating an AI which, in turn, creates specially tailored porn. The product is initially so compelling that their hit rate goes through the roof and they get richer as intended but it becomes more and more irresistible and its influence becomes much more significant.
I have to appreciate the cynicism or sense of irony or whatever it is that goes into making the special Valentine’s Day story a story about porn. It’s reminiscent, in a limited sense, of part of Steven Barnes’ “Fifty Shades of Grays” though, strictly in terms of fiction, it’s perhaps only adequate. In terms of content, it says what it is right in the title, so shouldn’t surprise anyone and it should be redundant to say that it may not be suitable for all audiences. However, if you’re willing to try it, you may be as impressed as I was at the bold commitment to the story and the extrapolative vigor which, in the end, carries the satire regarding its “Satyr” to absurd lengths. Certainly not a run-of-the-mill story.
- Review of February 2017 Flash Fiction Online for Tangent
- Rec: “The Garbage Doll” by Jessica Amanda Salmonson
“The Garbage Doll” by Jessica Amanda Salmonson, February 2017 Nightmare, horror short story
Okay, this is kind of weird. Horror is not my forte (if I know one thing about horror I probably know three things about fantasy and thirty about SF, though I’ve taken some preliminary steps to try to fix that) and I’m not even sure if I’m recommending this. All I know is that it made me think of David Lynch’s Mulholland Dr. with all the stylish sexiness utterly removed. Still, this story – about a woman who seems to be dying in an ambulance and, not only having her life flash before her eyes, but going back to live in it in a weird no-funhouse way – was very intriguing. I’m not even sure if it’s not “dark fantasy” rather than horror but it seems horrific enough to me.
So consider this an “if you’re also intrigued, then it’s a rec; if not, not” sort of thing. Certainly an extra-honorable mention, though.
- Summation of Online Fiction: January 2017
I tried forty-three stories of 176,695 words from thirteen January 2017 pro-rate webzines (Apex, Beneath Ceaseless Skies, Clarkesworld, Diabolical Plots, the final issue of the now-defunct Fantastic, Flash Fiction Online, Lightspeed, Nature, Nightmare, Strange Horizons, Terraform, Tor.com, and Uncanny). I didn’t finish four stories. Thirty-four ranged from bad to good with honorable mentions for “A Human Stain” by Kelly Robson (a horror novelette from Tor.com that at least sticks – like coagulated blood – in the mind) and “Playing for Keeps” by Judy Helfrich (a time travel short-short from Nature). I recommended five (12%). Those five, divided by genre and alphabetized by title are:
- “Cease and Desist” by Tyler Young, Nature, short story (rec)
- “The Ghost Ship Anastasia” by Rich Larson, Clarkesworld, novelette (rec)
- “A Series of Steaks” by Vina Jie-Min Prasad, Clarkesworld, novelette (rec)
- Rec: “Cease and Desist” by Tyler Young
“Cease and Desist” by Tyler Young, January 18 2017 Nature, science fiction short story
Humanity receives a legal notice from the IP folks (and that doesn’t stand for Interstellar Patrol).
This is kinda perfect. This flash fiction blends form and function in a clever and concise satire of a major aspect of our current corporate and legal structure. And, like the best satire, it’s actually at least as sad and serious as it is funny. Astounding/Analog has a section called “Probability Zero” and this would be perfect for that except that it may be Probability One Hundred.
- Rec: “The West Topeka Triangle” by Jeremiah Tolbert
“The West Topeka Triangle” by Jeremiah Tolbert, January 2017 Lightspeed, fantasy novelette
In 1987, a young social misfit who is fascinated by the paranormal has a mystery close to home to deal with. Kids have been disappearing from his neighborhood, which he decides is the “West Topeka Triangle.” Not only that, but he has to deal with a kid who particularly picks on him.
The very insufficient synopsis is because I really don’t want to give away anything at all. I thoroughly enjoyed this tale, in large part due to all those little things (quirky little observations and descriptions) that, individually, don’t have to be in the story but make it concrete and detailed and believable and without any of which, the story likely wouldn’t work. For instance, when a kid’s video game malfunctions and the other kid has to leave hurriedly, the story continues:
“I’m going to call the Nintendo hotline and yell at them until they send me a new game,” Brendan says, red-faced and sweaty. I let myself out as he dials the number, apparently from memory, and begins yelling.
The detail of “apparently from memory” instantly paints a picture of all the previous phone calls the kid has made and what a big part of his life is like and noting it as “I let myself out” gives it a wonderful off-handedness.
This may be part of a general “80s nostalgia” and when Brendan says, “I get to be player one,” I immediately thought “Ready,” even though I haven’t even read Ready Player One. But I don’t think the story relies on its 80s-ness for its core effect. It relies more on its characterization and how life of any era would be for such characters. As the other details do, the period details simply bolster the tangibility of the tale. Either way, it avoids being sappily sentimental or nastily bitter but approaches the historical and personal eras with equanimity.
Another part of the tangibility derives from the fact that this is hardly speculative fiction at all. If anything, from the junk science and rudimentary rationalism of the protagonist, this is almost pseudo-SF more than pseudo-fantasy (though Lightspeed is publishing it as a fantasy) but there’s little in it that requires it to be read as anything but the perceptions of an imaginative kid. (The end of a dinner table scene is perhaps the strongest indication of an actual fantasy element but even it could be dismissed.)
Odd thought: anyone who’s more than glanced at this blog or Tangent knows how I feel about present tense narration, even though it’s become virtually omnipresent. This is a present tense story yet I scarcely noticed. Perhaps because it fits with how children often tell stories, “I says such and such and he goes this and that.” Kids are often very in the moment. It doesn’t feel like it was chosen just as the trendy technique but because it was right for this tale. (An opposite argument could be made, though, that a “retro” tale should have especially been told in past tense.)
Whenever it is and whatever it is and however it is told, I thought the results were excellent.
- Rec: “The Dark Birds” by Ursula Vernon
“The Dark Birds” by Ursula Vernon, January 2017 Apex Magazine, fantasy novelette
Baby tells the story of her family, in which there are always three daughters (Ruth, Susan, and Baby) no matter how many are born (and there are many). The parents are ogres and the children have almost no contact with anyone else, though Ruth does hand down stories of Lily, who came from the great beyond. One day, the mother has another child and Baby thinks she must become Susan but later finds that the baby has died. The current Susan investigates and matters quickly come to a head.
I’m not very conversant with fantasy so can’t be sure, but I suspect this may be a tale modeled on a standard fairy tale or something like that. Perhaps not. And I’m sure it can be read many ways though it seems to me it could be a fantastic retelling of how many women might see growing up in (or near) a small, presumably Southern town. Be that as it may or may not, I like Baby’s narrative voice and how it deftly shows her character and Susan’s, especially. It’s just good storytelling which, perhaps naturally for the presumably dyslexic Baby, feels very rooted in the oral storytelling tradition. Also, while it may not resonate for everyone and only does in a proximate but strong way for me, the depiction of the two-book house (Bible and almanac) and the oranges for Christmas provide extra bits of particular concreteness.
- Rec: “A Series of Steaks” by Vina Jie-Min Prasad
In the course of finishing Clarkesworld I found another I especially liked.
“A Series of Steaks” by Vina Jie-Min Prasad, January 2017 Clarkesworld, science fiction novelette
Helena is a nice girl with a dark past who is hiding under an assumed name in a temporary residence in China, working in a “gray area” as a forger of beef using a 3D printer. One day, she’s blackmailed by a mysterious and viciously foul-tempered person who demands a large amount of steaks. Eventually, working under a deadline she feels she can’t meet (almost typed “meat” there) she hires Lily, a boisterous, colorful bundle of energy and things get really interesting as the pair continue to work on the project while also working to get out from under the mysterious man’s thumb.
I’ve read plenty of 3D printing stories for years now but it’s still a strangely underdeveloped theme and I don’t think I’ve read one about steaks before. Beyond that, this story is constructed very well (though it’s a little long), and is extremely vivacious, funny, and entertaining. I don’t know if I’d want to read dozens of stories with the exact same tone which might have the same exhausting effect Lily sometimes has on Helena, but I really enjoyed reading this one. Even the present tense narration didn’t particularly bother me. My one quibble is that, while clever and somewhat satisfying (especially in the details), the conclusion wasn’t quite as earth-shattering as such a big wind up led me to expect. And, of course, if the narrative tone and the two main characters don’t appeal to you, the story is unlikely to, but then you’re immune to some pretty charming stuff.
- Rec: “The Ghost Ship Anastasia” by Rich Larson
It’s a new year and the January webzine stuff is coming out and now this blog can officially begin. I’ve read Flash Fiction Online, and a tale each from Apex and Clarkesworld. The latter produces the first (mild) recommendation of the year.
“The Ghost Ship Anastasia” by Rich Larson, January 2017 Clarkesworld, science fiction novelette
Silas, his sister Haley, Io the muscle, and Yorick the suit are sent by their company to examine a bioship that’s gone silent. Haley dies from micrometeorite damage to her cryo chamber in transit with only a deteriorating software backup of her consciousness remaining, which Silas is determined to save. Their troubles have only just begun, though, as they enter the ship to find the “bio” part has run riot and the controlling software, having become sentient due to the flesh/machine hybrid, is even more out of control. The previous crew appears to have been eaten to provide some of that increased biomass and the new arrivals try to avoid being next on the menu.
This is a gothic space opera and, if you like the first Haviland Tuf tale of George R. R. Martin or the Boojum tales of Sarah Monette and Elizabeth Bear or many Alastair Reynolds or most Neal Asher stories, you may like this. It does have problems: it places too much weight on the Turing test and isn’t very plausible when it comes to computers and AI (from Haley’s inexplicably decaying software to the fact that the AI is supposed to be easily distracted (because if our contemporary computers can’t process millions of instructions per second and can’t multitask how is a futuristic AI supercomputer supposed to?)), and the ending may not surprise everyone, but it’s effectively creepy and full of fast-paced excitement with a believable and interestingly quirky but Ordinary Joe protagonist.