“Let Me Sleep When I Die” by Wendy Nikel, Nature 2017-05-24, SF short story
Sorry, I’m running just a tiny bit behind, but I have read all the May prozine stuff except Lightspeed and Tor now. I’ve come across several “honorable mentions” but I particularly liked this Nature short-short about a horror of future war and how perceptions can change for some and not others. It’s not the hardest SF or most logically airtight premise but it’s a form-fitting epistolary tale which is effectively creepy and aesthetically thoughtful, so to speak.
“Sun, Moon, Dust” by Ursula Vernon, Uncanny May/June 2017, fantasy short story
Allpa’s dying grandmother leaves him a magic sword. When unsheathed, Sun, Moon, and Dust materialize from it and they’re all supposed to go be heroic warriors together. But Allpa is a simple, dutiful, potato farmer. The tale deals with his unenthusiastic participation in training and his varied relationships with the ill-tempered and bloodthirsty Dust, the somewhat remote Sun, and the sympathetic Moon.
This rural encomium, while thematically in Vernon’s comfort zone, is conceptually more of a BCS-style secondary-world pure-fantasy tale than the Vernon I’ve read which tends to be fairly connected to this world regardless of its fantasy elements. It’s also not her strongest, perhaps because of this. But her strongest is extremely strong and this is still pretty good. I particularly like her similes and turns of phrase, as in the scene where Moon is expressing his feelings about his own long-forsaken lands and Allpa reacts:
“You can stay here,” he said. The offer was purely instinctive, as if Moon was bleeding and he had lifted his hands to staunch the flow.
There is also humor such as when Dust is wanting to kill Allpa and be done with him, else they’ll have to wait in the sword for the next owner to unsheathe them:
“And look at him, the wretch, you know he’ll live to be ninety!”
As they say. I think. I hope…
My public library had its somewhat annual booksale recently. Since it puts all its literature (including poetry!) in General Fiction, its philosophy in General Non-Fiction, and considers books about raising dogs, cats, birds, etc., to be “Science,” I came away a bit deficient in those categories – even more so than usual, for some reason. But I did manage some science. The “Biography & History” is no more granular than its description implies but I did manage some of that and some Reference, too. And there is, at least, an SF/F/H section which is actually SF/F/H. Almost everything I got came from there and, perhaps due to the selection, much more of that was fantasy and horror than usual. I also got some replacements for books I had in poor condition or even gave some books I used to have a second chance, so it wasn’t as cost-effective as it might have been if they’d all been new to me but it was still pretty good.
It was also nice, on a library/social level, to see that the sale was quite busy and that the SF section was among the busiest, even if, on a personal level, it might have resulted in stuff I’d have liked to get disappearing faster.
So: pics, or it didn’t happen! Here are a couple of spine pics followed by five of full frontal bookity.
(Click to embiggen. And sorry about the bad glare and blur and slight truncation – one of these days I may actually learn to use the camera.)
I got all this in two trips but the sum was 104 volumes with 118 titles for $115 (I got overcharged $8 on one trip). Way too many dollars spent (good thing it only happens about once a year) but a pretty good deal at $1.11 a volume/$0.98 a title.
I thought ralan.com might have been hasty in declaring Terraform dead but I’m calling it, too. Leaving aside comic strips, after four stories in January, there’ve only been two in each of February and March and none in April. The remaining dozen prozines brought us forty-two stories of 199K words.
In one of Dozois’ Annuals (I forget which) he says something about the industry going in streaks with some years producing no anthologies about wombats and others producing ten of them. The same is true of webzines on a monthly basis. As March was Horror and Tor/Nightmare Month, so April was Fantasy, BCS/Lightspeed, and Novella Month.
Taking the last first, Clarkesworld and Uncanny brought us the rare treat of webzine novellas, for which they are to be commended. Alas, both novellas were quite flawed and, ironically, one of the flaws was that neither had a novella’s worth of material but would have easily fit into novelettes. Still, I hope the novella trend continues. For the other two monthly statistical anomalies, almost all my recommendations were fantasy and almost all from two venues. Only one SF story really stuck out and not in an especially sfnal way (though, conversely, a couple of the fantasies had sfnal elements). Two honorable mentions were both SF, though, and both from Compelling. Deborah L. Davitt’s “Demeter’s Regard” is a tale of a human/AI romance onboard a multi-generational starship and Karl K. Gallagher’s “Samaritan” is a pretty upbeat tale of a Neo-Amish Boy in the Big Lunar City.
Kind of a small post, but theoretically extremely important. I don’t know how many people will be able to benefit from this (I don’t even know if I’ll be able to) but we can apparently Binge-Watch Carl Sagan’s ‘Cosmos’ on Twitch for Science Week.
And “he said, in the cosmos, is a single sonic sound that is vibrating constantly.” If you have the misfortune to be unfamiliar with this song, regardless of what you think of metal, please give it a try. Alpha to omega, this song goes places. Continue reading
“Seven Permutations of My Daughter” by Lina Rather, Lightspeed April 2017, SF short story
Still pouring. (Coincidentally, it’s literally pouring where I am, with flood warnings and everything.) Lightspeed achieves the remarkable feat that BCS just achieved of impressing me twice in the same month. And Lina Rather has now impressed me twice in three months. I first noticed her February FFO story, “Marking the Witch” and I was wondering if she could do it again without doing it again, so to speak.
Rather than a fantasy about a romantic connection, this is a sort of SF story about a familial connection. Something horrible is going on with a woman’s daughter (Elena) and that woman (Sarah) happens to be a mathematician/physicist who has been and is exploring the worlds of the multiverse in order to find a pattern in which the daughter and family are happy. She hopes to see that it’s possible, understand it, and perhaps apply it.
The structure of the “permutations on a theme” is very familiar and even the “scientist uses special knowledge to pursue a personal goal fervently” is familiar. But, somewhat as the virtues in “I Have Been Drowned in Rain” compensated for the familiarity of some of its elements, so the emotional freight of this story (which it shares with “Marking the Witch” but even exceeds) serves to make this story special. It’s so easy for stories aiming for passion and emotion to fall flat on the one hand or to seem overwrought on the other. It’s so easy for stories about pain to be aesthetically painful for the reader. But this story excels at finding that emotional pitch where the character feels genuine and she really, really wants something and it’s easy for the reader to sympathize.
Also, somewhat akin to “When We Go,” it has a strong, direct style which I appreciate. For a sample of that and the emotional pitch, I like lines like, “I will tear space and time apart for you, Elena. I will remake the world for you,” placed in stories in which they seem appropriate and credible. Further, the last line is superb.