- “How Sere Looked for a Pair of Boots” by Alexander Jablokov (science fiction novella)
- “Credit to My Nation” by Sandra McDonald (fantasy short story)
- “Written in Mud” by William F. Wu (science fictional short story)
- “All the Difference” by Leah Cypess (science fictional short story)
- “Ventiforms” by Sean Monaghan (science fiction novelette)
- “The Gorgon” by Jay O’Connell (science fictional short story)
- “Salting the Mine” by Peter Wood (science fiction short story)
- “Taking Icarus Home” by Suzanne Palmer (science fiction novelette)
- “Neom” by Lavie Tidhar (science fiction short story)
- “The Esteemed” by Robert Reed (science fiction novella)
Almost half of the titles in this issue of Asimov’s Science Fiction are not, or are only loosely, science fiction. Frankly, this is also the least inspired issue of Asimov’s I can recall having read.
“Credit” is set in the Caribbean, deals with a person of indeterminate gender facing discrimination, and ends with a magic wish-fulfillment. “Mud” aims to be a post-apocalyptic cli-fi comedy set on the shores of Kansas with talking fish nearby. “Difference” is yet another story which uses a magic multiverse machine to ask relationship questions, in this case, ostensibly, of whether the protagonist married the right husband. “Gorgon” has a morally problematic HR guy deal with a “uniquely irreplaceable” employee which requires dealing with issues of time and deus ex AI. It was also fairly familiar but more interesting than the others of this group.
“Esteemed” is not much different from both “Difference” and “Gorgon” and seems too much like the recent “DENALI” from the same author and the same magazine as well as what I understand Robert Silverberg’s The Masks of Time to be like, though I haven’t read that to know for sure. A time traveler is introduced to the world by President Ford and turns out to be inextricably bound up with a group of “Esteemed,” particularly including one family. Various real-world and science-fictional crises involving nuclear proliferation, global warming, genetic engineering, and AI are confronted but figuring out the temporal messiah may be the biggest issue of all. Considering its length, it read fairly quickly but its narrative approach of looking at people as though they were objects seen from a great distance unsurprisingly created a disengaging effect.
“Salting” is not much different from “Mud” in terms of failed humor. In this attempt at an Andy Griffith Show in Space, Otis is played by an alien and Andy is played by a lesbian. Andy’s folks have been abandoned by a corporation which returns to place them and the natives under their thumbs after a long time away but both develop a halfway red herring plan of resistance which ends by fiat.
“Noem” is three pages of dull infodump about an artificial city in the Arabian desert followed by two pages about the protagonist’s visit with her senile mother after the senseless destruction of a chatbot “friend.” The depiction of that was effective.
“Ventiforms” is one of at least a couple of stories in series, dealing tangentially with another of Shilinka Switalla’s great artworks but really focused on Taile Aronsen, who is looking for her son. He’s become rather… involved… in his work assisting Switalla. This feels like a story that is simultaneously overlong and yet missing its opening, is one of several stories recently which have an insufficiently prepped presentation of characters overloaded with emotion and, like “Salting,” “Credit,” and others, ends too easily.
“Boots” is another in series. Sere functions as a sort of private detective trying to figure out the strange behavior and imprisonment of her sister’s boyfriend which leads her to uncover a complicated plot between the complex mix of species living on her world. It mostly deals with many of those aliens doing many disgusting things and with footgear fashion. Some may enjoy this tale’s color and activity.
Finally, “Icarus” has a Good Samaritan find a lost kid who’s nearly burned up in a pod after falling in with some odd folks whose idea of a good time is flying close to the sun. This has two severe problems: it’s inexplicably told in second person and it has the protagonist behaving in ways that seem to lack good sense without sufficient motivation before providing more grounds for this through character backstory after the fact. Still, this was evocative and otherwise effective and, if I were going to make any of these the cover story, I’d agree that this one would be it.