- “Jesus and Dave” by Jennifer Lee Rossman, Diabolical Plots #41B, July 16, 2018 (fantasy short story)
- “The Trees of My Youth Grew Tall” by Mimi Mondal, Strange Horizons, July 16, 2018 (slipstream short story)
- “Papa Bear” by Kurt Pankau, Nature, July 18, 2018 (science fiction short story)
- “Drawing the Barriers” by Tamara Vardomskaya, Beneath Ceaseless Skies #256, July 19, 2018 (fantasy short story)
- “Flesh and Stone” by Kathryn Yelinek, Beneath Ceaseless Skies #256, July 19, 2018 (fantasy short story)
- “The Nearest” by Greg Egan, Tor.com, July 19, 2018 (science fiction novelette)
- “Next Door” by Ryan Harris, Terraform, July 20, 2018 (science fiction short story)
Beneath Ceaseless Skies brings us half the week’s fantasy stories and they are about artists with cramped styles. “Drawing the Barriers” sketches an almost modern society which oppresses its magical people, resulting in a trio of rebels (the artistic mage, the lesbian mage, and the incognito mage) starting to strike their blows against it. “Flesh and Stone” is a vaguely Pygmalion-like tale about a sculptor making, falling in love with, and bringing to life, a statue for himself and one for his medieval nobility but lacking Aphrodite’s touch. For the other half, “Trees” has the oddity of tree-dwelling people but is otherwise not fantastic as it describes them having their habitats taken from them by evil white people and follows an old woman who loses and looks for her son while making her way in the city. The week’s best fantasy is the lightly amusing “Jesus and Dave” which describes how hard it is for Dave to maintain his atheism in the days after Jesus’ return but also describes how useful that might be.
The week’s science fiction is quite imbalanced, being made up of two minor flash pieces and a novelette (near-novella) that is the week’s best story. “Next Door” is about keeping up with the Joneses even in a nearly uninhabitable future of nukes and pollution while “Papa Bear” drops a confusing mainstream bit about dementia into an irrelevant dystopia. Even “The Nearest” isn’t free of a bit of “mainstreamism,” as it deals with a real condition with only a slight, but important, science fictional twist and is set in an interesting technological near-future which isn’t especially vital to the story but it’s so detailed, concrete, engrossing, and downright scary that it works. A cop is dealing with a batch of missing persons cases when she’s assigned the case of a missing mother and the woman’s murdered husband and two children. With drones, black boxes in cars, and other such mechanical aids to her investigation, she tries to figure out what happened and why. Things kick into overdrive when she wakes to find a stranger in her bed and a mechanism in place of her son. The tale becomes a neatly balanced descent into the paranoia of “The Invasion of the Soul Snatchers,” causing the reader to wonder who is crazy and who is sane. There are some acronyms (SOCO, CSF) I had to look up that should have been properly introduced and I don’t think the cop’s final approach was wise or would have worked out the way it’s depicted but these are relatively minor blemishes in an otherwise tautly executed tale that doesn’t play around with narrative or stylistic gimmicks and doesn’t need to. Good stuff.