With Compelling off, Apex doing a lot of reprints, and Tor.com worryingly publishing a single story, September would have been an extremely light month, but a double issue of Beneath Ceaseless Skies and the return of a lost zine helped compensate, resulting in thirty-seven stories of 149K words (plus one I skipped). Regardless, it was a very light month in terms of the proportion of the good stuff (though there was plenty of readable stuff). I’m not sure what happened beyond it being one of those freaky streaky webzine things. Speaking of, the returning lost zine is Terraform. Ralan.com declared it defunct a few months ago and, after waiting awhile to “make sure,” I declared it dead on April 27th and stopped looking at it. Recently, I happened to take another look and, naturally, they’d published another story on April 29th. But, other than excerpts, interviews, graphic stuff, etc., they did quit producing anything after that until August 24th. Since then, they have managed to publish a story coupled with an article every seven or eight days (two in August and three in September though, to keep the irony ironing, they don’t seem to be doing anything but another excerpt this week). So perhaps they’re back. Only one story was at all noteworthy but, since I gave Terraform‘s death an explicit notice, I feel like I ought to do the same for its rebirth. Now, on with the very short (or “little”) list…
- “Dark Was the Night, and Cold the Ground” by Miguel Fernandez-Flores, Terraform (August 24, 2017), short story
Fantasy (both billed as SF)
- “And All Our Bones Were Dust” by Steven Fischer, Flash Fiction Online, short story
- “Ugo” by Giovanni De Feo, Lightspeed, short story
The Fischer involves a precog who knows a nuclear war is coming, which can be seen as SF but the precog motif and style seem like fantasy to me. Not that we won’t have a nuclear war any minute but something about the specifics of this felt like an 80s story (aside from the 50s/60s psi thing). That said, it was well-executed and effective. The De Feo is this close to being a truly amazing story but its second half, despite dovetailing almost perfectly with its first half, is a completely different and much less interesting story. The first half is about a magical time traveler, with that and its style making it fantasy, while the second half is a species of mainstream or an obfuscation of the fantasy. Basically, it’s squeamish about embracing its true, tawdry genre. The thematic motifs of Ugo’s story should have been developed further and the final theme of the second half (and thus the whole) could have been embedded in that first half as a lesser motif or discarded. That would have the side effect of making the too-long c.7,200 word story a just-right c.5,000. Or perhaps I’m blathering nonsense. Point is that, for me, it was an initially captivating and ultimately unsatisfactory story.
The belated Terraform story is about a future in which dolphins are mayors of underwater big cities while a starship, crewed by humans and other animals, is catching up with Voyager to change its golden record. This can be interpreted a few ways but one which entertains me is the idea that the most enlightened, beneficial, and correct members of today’s society (who are vilifying people of the past) will one day find themselves vilified for their immoral anthropocentrism or whatever other failing the future may find in them. Either way, it’s a weird story.