This May there were even more reprints and translations than usual in fewer issues than usual (and I did skip one story which is not included in the total) which may explain why I get only 33 stories (one unfinished) of 146K words from eleven prozines, but it still seems a little light. I can’t find anything I missed, though. If there’s a coincidental streak or theme to this month’s fiction it’s not necessarily general but resides in my SF recs all being forms of horror. That’s not the kind of SF I like to recommend in the abstract, but I have to play the hand I’m dealt.
- “Let Me Sleep When I Die” by Wendy Nikel, Nature 2017-05-24, short story (rec)
- “Sweetlings” by Lucy Taylor, Tor.com 2017-05-03, novelette (rec)
- “This Is for You” by Bruce McAllister, Lightspeed May 2017, short story (rec)
I’d said in an earlier post that I had “several honorable mentions” but my own notes on most of them waffle on whether I was “grading on a curve” because I’d read so many stories I intensely disliked that simply not disliking some made merely decent, publishable work seem artificially special. I’ve decided against curves and will only note the couple that I didn’t quibble much about on the “honorable mention” level.
- “Sanctuary” by Allen Steele, Tor.com 2017-05-17, short story
- “The Stars That Fall” by Samantha Murray, Flash Fiction Online May 2017, short story
Even there, Murray’s story about asteroids with names on them (like large-scale cosmic bullets) was billed as SF when it’s not remotely and, among other issues, has an opening sentence of mixed tense, but I liked its core.
I don’t ordinarily give more than a line or two to HMs but Steele’s tale of a pair of colony starships encountering a crisis upon reaching their new world was particularly important but frustrating. This was a good old-fashioned science fiction story which makes up about 2% (or less) of the “science fiction” web market these days but it went beyond being “old school” and was just downright derivative. The hubris dynamics have been handled by Theodore Sturgeon and others, including Clifford D. Simak. Indeed, his 1951 story “Beachhead” is almost exactly like this one bio/tech-wise except for the specific type of the point of failure. For another point that I can’t comment on much without spoiling, a minor victory snatched from major jaws of defeat was snatched from out of nowhere – it’s a perfectly plausible and reasonable device if prepped, but it felt like a deus ex. It also posited what I hope will turn out to be odd technological lags such as some members of a starship crew in the year 2266 having dental bridgework. It also does something odd with the completeness of the incomplete log. Finally, while it does have a sort of ending, it makes the piece feel more like a novel excerpt than a story. So all this thoroughly precluded it from being a recommendation. But if you haven’t read all its predecessors it should seem fresh and good and if you’re just really hankering for a starship-is-actually-a-starship tale then this certainly can’t go completely unnoticed. Alas, it still won’t fully satisfy some due to [spoiler], but it’s worth looking into if you’re in its general target audience.
 Edit (2017-06-15): I actually did miss a second story from Diabolical Plots, which I’ve now read and brings the total up to 34 stories of 149K words.