“Come See the Living Dryad” by Theodora Goss, Tor.com 2017-03-09, novelette
A woman in the present investigates the murder of her great-great-grandmother who was part of a “freak show” as a “living dryad.” (She actually had an extremely bad (and non-fictional) skin condition.) The story is told through narration in past and present as well as by means of sometimes nested letters, book excerpts, and other sorts of things (such as a box of evidence at a police station), producing the effect of looking through a scrapbook or mementos and family heirlooms which is basically what the present-day protagonist is doing.
If you need this story to have a revelatory twist, you’ll likely be disappointed as the whodunnit is pretty clear early on. Perhaps more problematically, this story’s vegetable love grows more slow, as Marvell might have it. However, while I value pace more highly than most readers, even I found the backstory, foreground, phrasing of the tale, and strokes of characterization sufficient to keep me involved. Perhaps the most problematic issue is that this is basically a mainstream story (and closer to SF if anything, despite being billed as fantasy). Unless I missed it, nothing supernatural happened and nothing scientific was projected though the story was reasonably scientific in both medical and criminal terms. All that’s particularly “made up” are the plot and characters, as in any fiction. But, much like Apollo 13 is sometimes lumped in with SF because “a space movie equals a science fiction movie,” so this “feels” a bit like SF and a bit like fantasy, so is “of interest” to the field. And, speaking of movies, I feel like anyone who enjoyed The Elephant Man would enjoy this story. There are so many similarities that this story could be dismissed as “derivative” but I feel it would be fairer to say it was partly “inspired by” the story of Merrick (who is name-checked in this tale). Finally, another of this novelette’s better features is its humanist theme which is certainly clear but handled reasonably lightly. While the heroes and main villain conform to today’s standards, the story does not settle for simplistic praise or condemnation (when it has more reason to than many stories) but remains true to its universal theme.